On The "frontier" Writing Of Alai's Novels

Since the new period,Frontier novel have risen rapidly in the Chinese literary world with their unique charm,Chi Zj Jian's the right bank of the Erguna River,Fan Wen's compassion for the earth,Dong Libo's white beans,Hong ke's Wuerhe and other outstanding frontier novels enrich the Chinese literary world,it has become a literary phenomenon that can not be ignored in the contemporary literary world,As one of the most influential writers of frontier novels,A lai traveled between two cultures and insisted on writing in Chinese about his native Jia Rong Tibetan region,Jia Rong is located in the special transitional zone of the boundary between Han and Tibet,Both the natural scenery and the history and humanities have the dual characteristics of Marginal and inland,therefore,A lai's creation is a mixture of mufti-ethnic culture as well as self-consciousness of his own culture,A lai has always been committed to pushing the culture of the Tibetan border into the larger mainstream cultural field,so that people who have long lived in the mainstream cultural circle to open a window on Tibetan culture;At the same time,A lai did not confine himself to the narrow nationalism,but thought about the historical culture and the realistic trend of the Tibetan ethnic group against the background of the conflict of modern civilization,which led to a broader vision of human culture,to think about and explore the plight of human survival beyond the ethnic group,The first chapter defines the meaning of "Marginal",puts the Frontier novels since the new period into the global literary field of vision,analyzes the deep reasons for the rise of the Marginal novels and the text characteristics and theme selection of the Marginal novels in this period,At the same time,it combs the three stages of A lai's literary creation career,and deeply explores the different "Marginal" colors that his literary works present in different creation stages,The second chapter attempts to explore A lai's construction of Tibet's "history" and "aspiration",The writing of "history" and "aspiration" in A lai's novels formed the complete historical construction of Jia Rong Tibetan area,On the one hand,it focuses on A lai's novel creation since the New Era,and combs the author's "dating history" writing context in the long-lens looking back to the Tibetan region,On the other hand,the author interprets his works from three aspects: The triple dimension of constructing literature Tibet in A lai,the emotional reasons of constructing literature Tibet,and the writing style of "ethnography",The third chapter first focuses on the detailed description of the Tibetan customs,folk culture,chieftain system and religious culture in A lai's novels,showing the influence of the diverse and conflicting Jia Rong Tibetan areas,A lai's unique cultural identity,At the same time,it explores the author's dialectical thinking about the Cultural pluralism of the modern civilization since it entered the Tibetan region,focusing on the spiritual variation of the Tibetans who have been impacted by the great cultural shock since the modernization process entered Tibet At the same time,A lai tried to reconstruct the folk spiritual mystery with the primitive and mysterious Tibetan culture,hoping to play a healing role in the spiritual world of Tibet after being trampled by modern civilization,The Fourth Chapter aims to explore the original village plot of A lai,This chapter will cut into the ecological trauma,the salvation of the human heart and the change of the image of the Tibetan region,It reflects A lai's optimism beyond his criticism of modern civilization,in-depth grasp of A lai's vision and hope for the salvation of the Tibetan people and the parallel development and inheritance of the Tibetan region,...