| This article takes the new topographical photography as the starting point,discusses the natural scenery and the artificially changed scenery in photography,and brings the change of scenery to the overall scope of the history of photography for investigation,and at the same time,it is also the change of the concept of scenery in photography.A sorting out and summary.Observe the transformed factors behind the landscape and the aesthetic characteristics of new topographicalism by comparing the performance of landscapes in different periods.Firstly,I will sort out the concept of the new topographicalist photography genre,analyze the origin of the term "new topographicalism",and observe the development of new topographicalism.Secondly,it analyzes the landscape expression before the emergence of new topographical photography,and then the key part of this article,conducts an in-depth analysis of the essence of landscape changes,and considers the change of the word landscape,social thoughts and expression forms,and then the new topographical photography Analyze the aesthetic characteristics in the book,focusing on the expressionless aesthetics in neotopographic photography and the aesthetic performance under the fusion between documentary and concept.Finally,I think about the essence and significance of new topographicalism,and elaborate on the individual works.The evolution of the landscape is not only the change in form brought about by technological progress,but also the influence of social thoughts.The change of the landscape is not an overnight thing,but the inevitability of historical development.The landscape shows the integration of multiple aspects.Modern artists have awakened their personal consciousness,and landscape has become a way to examine society and observe themselves.It is no longer to eulogize the magnificence of nature,but to use the symbol of landscape to resist the rapidly changing reality of society to convey their own ideas. |
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