A Study On The Evolution Of "Nanniwan" From The Perspective Of Auditory Culture

In recent years,with the development and change of media technology,the communication platforms such as Weibo,Douyin and We Chat have become more and more perfect,and singing talent shows and variety shows have become popular.Red songs and new songs have become special collective memories that evoke people.An important form of The song "Nanniwan" was born with a strong official revolutionary song color.After the subversion of Cui Jian in the mid-1980 s,the reconstruction of Xu Xiaofeng in the 1990 s,and the rewriting of many talented singers in the consumer society period,it gradually evolved from the traditional red revolutionary song to A popular song that meets the needs of the consumer society,this phenomenon reflects that the song reflects the spirit of the times in different social and cultural contexts,and it contains the interactive relationship between music and society.Auditory cultural research has become a hot spot in current cultural research.The relationship between sound and hearing is permeated in social culture,revealing various characteristics in the relationship between hearing and sound.Sound is most closely related to hearing,and music is the most typical representative of sound at the moment.From the perspective of auditory culture and music sociology,this article sorts out,interprets and explains the evolution of Nanniwan.The first chapter combs the research literature of "Nanniwan".This paper summarizes the theories and methods of auditory culture and music sociology;based on the research status of "Nanniwan",it is pointed out that this thesis explores the evolution of "Nanniwan" to grasp the dynamic relationship between sound changes and social history.It is revealed that sound,as a communication medium,is more shaped by thought,economy,politics,and technology in its production mechanism and communication method,thereby constructing an auditory experience that interacts with society.The second chapter discusses the birth and canonization process of "Nanniwan"."Nanniwan" in the Yan'an period acted as a medium for propagating revolutionary ideas,carrying the important task of propagating ideology and social mobilization.After the founding of New China,with the help of the large-scale dance epic "Dongfanghong","Nanniwan" became a song suitable for publicizing the cause of socialist construction in New China,and its status was further established.Chapter Three discusses "Nanniwan"(80s)in the context of the new enlightenment.The original classic revolutionary songs were disenchanted in the cultural context of the new enlightenment,and the revolutionary ideas contained in the songs were eliminated under Cui Jian's interpretation.Use Cui Jian to discuss the adaptation of "Nanniwan" to grasp the cultural value of the sense of hearing hidden in it.The fourth chapter discusses "Nanniwan" in the context of consumer culture(from the 1990 s to the present).During this period,"Nanniwan" was included as an entertainment song.Xu Xiaofeng's "Reunion" transforms "Nanniwan" from a classic revolutionary song into a love song required by the consumer society.As a transitional song in the post-new era,it has been reinterpreted in the consumer society;discusses the "Nanniwan" in the audition How to become a templated sound in the program,using superficial differences to conceal the essence of unity.Finally,summarizing the evolution of "Nanniwan",the spirit conveyed by "Nanniwan" has evolved over time,reflecting the characteristics of different times.From the perspective of auditory culture and music sociology,the different adaptations of "Nan Niwan" in each era are not only changes in sound,but also changes in the auditory environment,the spirit of the times,and social psychology.