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Schematic Study Of Gu Heqing's "Sixteen Scenes Of The Yunchuan Pavilion Of The Xu Family"

Posted on:2022-09-04Degree:MasterType:Thesis
Country:ChinaCandidate:S N WangFull Text:PDF
GTID:2515306506968559Subject:Art
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The emergence of "Jingjiang School of Painting" marked the peak of the development of Zhenjiang painting in the 19 th century.Gu Heqing,as one of the most important painters of the Jingjiang School of Painting,learns from the ancients and goes out of the real world.With his keen artistic insight,he learns from the landscape of his predecessors and integrates his own personalized aesthetic taste,thus obtaining "the isolated mountains,vivid and friendly pastoral areas".Sixteen Scenes of Xu's Yunchuan Pavilion is one of his most representative works.This picture is both a documentary tour and a narrative.The painter uses personalized expression techniques to present the vivid pastoral scenery inside and outside of the "Yunchuan Pavilion".On the basis of the existing research,this paper further excavates Gu Heqing's real landscape painting,mainly from four aspects.The first is from Gu Heqing's life,analysis of his creation process,according to part of the landscape painting works to make a macro summary of the landscape painting style.The second is to analyze the causes of his personal real landscape style according to his painting background,reclusive culture,friends and teachers.The third is a case study of his real landscape painting Sixteen Scenes of Xu's Yunchuan Pavilion,and the concept of "schema" is taken as the research perspective to analyze the picture.The first is to generalize the connotation of Chinese landscape painting schema;Secondly,based on the schema source of the atlas,it analyzes the relationship between the atlas and Dongzhuang atlas by Shen Zhou.Secondly,the visual characteristics of the schema formed by personal experience and aesthetic emotion in the picture are deeply understood.Finally,the paper expounds how the aesthetic implication embodied in the picture shows the unique expression of the painting under the hermit consciousness of the literati painters.Fourthly,after the in-depth study of Gu Heqing's Sixteen Views of Xu's Yunchuan Pavilion,the inspiration obtained is combined with his own creation practice to expand the explanation.
Keywords/Search Tags:Gu Heqing, real landscape, Sixteen Views of Xu's Yunchuan Pavilion, schema, creation
PDF Full Text Request
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