An Exploration Of The Performance Forms And Historical Customs Of Ta Ge In Tang And Song Dynasties

Tage is a form of ancient folk music and dance in our country,and it is also a typical music and folklore event.It developed especially during the Tang and Song Dynasties.On the basis of tracing the historical origins of tage and investigating the musical form and application occasions of tage before the Tang and Song dynasties,this article analyzes the tage literature and materials of the Tang and Song dynasties separately,and believes that: the presence of tage in palace festivals and banquets in the Tang Dynasty The characteristics of the music of the emperor and the people,the literati used tage as a way of singing for self-entertainment,which was closely related to their own experience.Musicians also participated in the taqu activities.The music performed included "Yang Liu Zhi","Zhe Zhi",etc.The creation of folk Tage music uses the "same tune with different words" creation method,and was influenced by the Buddhist and Taoist culture of the Tang Dynasty.Mainly responsible for the function of singing;compared to the emperor of the Tang Dynasty participating in the entire process of tage creation and performance,the emperor of the Song Dynasty mainly became the viewer of the tage.The song "tage" sung by the song in the palace reflects the literary tendency of the tage,although In the Song Dynasty,the record of folk tage forms has decreased,but it actually represents a change in the aesthetic function of expressing emotions.From the Tang to Song festivities,the tage gradually became popular and large-scale,and the tage in folk sacrifices also tended to be entertaining.,Farming Tage embodies a closer connection with folk life.At this time,the regional characteristics formed by folk custom tage have a direct impact on the regional stereotype of the spread of tage for future generations.The overall observation shows that the changes of the Tang and Song tage not only reflect the characteristics of literary,folk and custom,but also the use of flute and clapboard to the accompaniment of drum instruments.Its custom characteristics are mainly reflected in the areas,ethnic groups and communication aspects,such as The worship concept of "Bamboo King" in "Zhu Zhi" in the Tang Dynasty and the changes of ethnic groups,as well as the fusion and symbiosis of "Zhu Zhi" and Ta Ge,such as the wedding ceremony of the Yao people in Song Dynasty and the customs of Jinghu "song field",all reflect the regional characteristics.The communicative characteristics provided the foundation for the formation of the Southwest Tage cultural circle for future generations.At the same time,ethnicity and regionality are important factors in the process of tage's shaping.The gradual change of tage from Jingchu area to southwestern region during the Tang and Song dynasties has a direct impact on the cultural issues of tage in present-day southwestern region,showing the identity of music culture in southwestern region.It also makes Ta Ge a representative music form of the southwest ethnic group,thus forming a form that is different from other folk songs and dances.