Research On The Traditional Aesthetic Image Of Domestic Animation Films In The Twentieth Century

In the 1950 s and 1960 s,domestic animated films created brilliance,created the "Chinese School",and left a strong mark in the history of world animated films.As an expression of aesthetic image,domestic animation film is the creator's use of a variety of artistic techniques to show relevant products with the help of multiple animation image expression methods.It is also an embodiment of aesthetic activities.In the creation of aesthetic image,image is a tangible perceptual form,and meaning is implied in image.As a work of art,animated films often seek images with meaning and construct from meaning.With the development of China's animated films,many high-quality products have emerged.Animated films have formed the aesthetic image of animated films with Chinese characteristics in the continuous exploration.Taking the traditional aesthetic image of domestic animation films as the research starting point,this paper combs the development process of domestic animation,uses comparative techniques to analyze the development differences between Chinese and foreign animation films in the same period,and deeply analyzes the traditional aesthetic and artistic characteristics of domestic animation films.With aesthetic image as the core,explore the cultural gene,humanistic environment and artistic soil of domestic animation films,hoping to provide useful ideas for the development of domestic animation films and promote the innovative integration of traditional culture and domestic animation films.At the same time,this paper selects the classic film "the return of the great sage of journey to the west" in recent years to analyze its traditional aesthetic image,and emphasizes that animation,as a comprehensive art,should show traditional culture from a multi-dimensional perspective and form the aesthetic image of animated film with Chinese characteristics.