"Domestic Film Movement" In 1920s Of The Cultural Landscape

The "domestic film movement" was the first boom in early Chinese film history.After the return of the post-war imperialism,the road of "industrial salvation" was influenced by factors such as imperialism and feudalism,which showed the increasingly depressed situation.Trading venues such as stocks become the new investment channels.Faced with the decline of the real industry,the collapse of exchanges,and the commercial excitement of "orphan rescues" box office sales,capitalists saw the huge market potential of movies as "new exchanges".With film capital pouring into the film industry,movie studios and cinemas have been established,and the film production and distribution system have been improved.These movies,founder of the company,investor's class background and economic base is not the same,both the comprador,small businessmen,and weak of the national bourgeoisie and abroad intellectuals.Driven by commercial interests,they have long been developing for the film company,and began to use the medium of film to tell the Chinese story,the national spirit,and express the social ideology and cultural philosophy.They for the Chinese movie's narrative and diverse artistic exploration,film companies in the market competition,cultural blend of social development trend formed its own unique production policy,and formed a group of school characteristics.Based on the background of the "domestic film movement" occurred in the 1920 s,the forming factors,through to the domestic film movement "the phenomenon of industry and cultural landscape,combing the interpretation of the foreign culture and traditional culture during this period,the relationship between explore changes between the old and new culture and innovation.The commercial and artistic quality of this period is deeply excavated to explore its commercial order and historical value,and to describe the cultural landscape of "domestic film movement".