Picturesque: A Study Of Image Criticism In Twenty-Four Poems

As a psychological prototype accumulated in the spiritual history of Chinese literati,"picturesque" embodies the ancient people's attention to the body view,poetic living and other life experience,or it can be translated into the practice of lying down in the painting,or it can be placed in the pavilions,terraces,pavilions and storied rocks in the courtyard.The Eastern Jin Dynasty frequently used "picturesque" to describe the real mountains and waters,and plated them with a sense of space.The rise of landscape painting has a direct impact on the formation of the concept of "picturesque" in poem criticism.Literati poetry critics subconsciously take landscape painting as metaphor and endue "picturesque" with the meaning of landscape painting."Picturesque" criticism pays attention to the meaning of landscape painting in the poem,and builds an appreciation eye for the relationship between language and picture by reproducing objects and spatial imagination.On the surface,to examine the image criticism of "Twenty-four Critic Poems" from the perspective of language and picture is an attempt made as an unworkable method under the circumstance of endless debate on the author and difficulty in distinguishing the true from the false.It is true that the "picturesque" view of the "Twenty-four Critic Poems" is to dissolve its metaphysical mystical color by not solving it,and also to open up a field for the construction of literary image theory in the soil of Chinese poetics.The "picturesque" image of "Twenty-four Critic Poems" is like saying goodbye to you at the water's edge,and the words are full of meaning.His image criticism uses poetic pen to write poetic theory and uses the inner experience world's feeling to the nature to describe poetic environment."Picturesque" in "Twenty-Four Poems" is completed by the poetic method of discussing poetry with poetry,the meaning of illocutionary blanks,and the communication of human,image,and Tao,which accomplish the spirit of life that is born of reality and emptiness.The isomorphic relationship between nature and poetry realizes the ideality of images in a "picturesque" way,pointing to the state that the stretching of the human heart and the stretching of the universe coincide.Poems based on four-character poems,through the interpretation cycle created by self-referentiality,complement each other with the dynamic and static combination of the text,and the intertwined state of reincarnation,inviting readers to explore the dynamic poetic beauty space,with the unity of nature and man.Way to complete itself.The painting of "Twenty-four critic Poems" embodies an inherent nature,that is,it can reproduce a kind of garden space that is "You can place yourself,you can think,you can settle down,you can be leisurely" through poetry.The image of the phenomenal world,the cosmic breath and the ideal subject walking in it circulate through time,space,reality,color and so on,forming a way of speech in which poetry and painting co-exist.Ideal characters in "enjoy rain in the hut","the boundless spring flowers are in full bloom","Walking on a winding path in the shade of willows","The crystal clear pool reflected the spring light" a kind of phenomenon world and the universe in the breath of the body,do not care about the social time,in the limited natural time show spirit tolerance."Twenty-four Critic Poems" uses the brush and ink techniques of landscape painting to cultivate the sky and the earth.The images with a clear sense of space,such as the present,have a mix of Chinese background color,such as space,broad thick cloud,a long winds,rainbow,waves,sea,mountains and other vast and far-away places.The poet's writing is the "picturesque" feature of "immediate","having all things",and completing the circle and square between things in the process of wandering gracefully.Its time sense is obvious,with the change of the natural four seasons: "The trees are luxuriant with peach blossoms" in spring,"rustling leaves" in autumn,"The moon shines with snow" in winter.Even within a single day,the change of time sequence can be felt through the "The setting sun is clear" in the evening and "the moon is shining like water to brighten the house" in the night.Four seasons,dawn and dusk,time sequence,in the wind,rain,fog,snow and other natural things carved time.The fast one write quickly and without a break such as the poem "sink".The wind hastens the electric disease,the intention is pen first,is all things dry vine,is the cone painting white sand.The slow one,such as winding paths,willow painting bridge,is the sheep's heart mountain road,is falling water,such as the poem "Vile".In the speed and rhythm,poetry and painting communicate with each other,realizing the flying in the quiet and deep,and moving in the ethereal and clear.The "picturesque" image realizes the beauty of living and birth in the circulation of time and space,and the " Flying with solitary crane " shows its ambition to transcend the present."Beyond the world of suffering","Break away from worldly bondage",free from time,space,direct to the Chinese imagination of the time starting point "Huang Tang" and the most distant world "Tai Hua",thereby completing the spiritual movement and the freedom of spirit."Picturesque" images build emotional and ideal nature,or "with the square" of the elegant linger,to forget the resistance to the passage of time,or "sad" is aware of life is not forever,"One hundred people make one thousand tunes",let one's lonely fate under the curtain of time to moan.The image of "picturesque" reflects that ancient China used the sense of artistic distance to settle life,used the circle of primitive chaos to reproduce and return to life,used the creation of language art to resist decay,and used the way of body and understanding to explore the value of personality ideal.In the "Twenty-four Critic Poems",behind the characters who choose to realize the aesthetic spirit and live an aesthetic life,not confined by the reality,it seems that someone is lamenting that "Gone are the days when you could rely on talent to achieve your ambition".The strong man of whisk sword,the heartache of "The song resounded with endless sorrow",hinting that the helplessness of the world did not forget.The "picturesque" space of "Twenty-four Critic Poems" is like an illusion created when the country and family are ruined,reflecting the poet's deep sense of dismay.