A Study Of Nostalgic Poetry In Ming Dynasty

This article mainly takes the Ming Dynasty nostalgia poems as the research object,which is divided into five parts.The introduction mainly introduces the definition concepts,research significance,innovations,research methods and current research status of chanting history poems in Ming Dynasty.The first chapter mainly discusses the stages of nostalgia poems in Ming Dynasty.According to the differences of writers,numbers,thoughts and arts in different periods,the Ming Dynasty's Ci poems about nostalgia and history can be roughly divided into three periods: First,from the early Ming Dynasty to Yongle,the number of Ci poems in this period was small,but the content was full,the emotion was sincere,and there was a strong sense of rise and fall in general.In addition,the writers in this period deliberately showed an alienation from the new dynasty;Secondly,from Yongle to Chongzhen,the number of Ci works in this period increased compared with the previous period,and the focus of writers' creation changed from prosperity to simple chanting history The climax of nostalgia poems in Ming Dynasty in the late Ming and early Qing Dynasties.In this period,the number of writers' works,the depth of emotion and the strength of reflecting reality were far incomparable to those of former pronouns.The second chapter mainly analyzes the stories of historical figures who chant more in Ming Dynasty's poems about nostalgia and history,and explores the special mentality of Ming Dynasty poets.By chanting Yue Fei and Wen Tianxiang,poets in Ming Dynasty showed their praise for loyalty festival.Reciting Tao Yuanming reveals a yearning for poetic life and a thirst for spiritual freedom.The third chapter mainly studies Jinling and Qiantang,two cities with the most frequency in the Ming Dynasty.In addition to the traditional stories of the Six Dynasties,Jinling was once the capital of Ming Dynasty(Southern Ming Dynasty)in the early and late Ming Dynasty.In the middle and early Ming Dynasty,it was the symbol of the prosperity of Ming Dynasty and the sustenance of patriotic emotion of Ming people.After the Ming Dynasty's death,it bears the endless mourning of the adherents.When Ming people recite Qiantang,the most important thing is to use Song Dynasty for Ming Dynasty and Qiantang for Jinling,and express their feelings of national subjugation by feeling the demise of Southern Song Dynasty.The fourth chapter mainly studies the prominent representative poets in the history of nostalgia poems in Ming Dynasty.In the early Ming Dynasty,the number of poems written by those who meditate on history was small.By the second stage,Yang Shen had become a generation of great people with his intensive and systematic creation and his creative aim of self-explaining and chanting the inner world after relegation.At the end of the Ming Dynasty,the poets felt the theme of the times when they rose and fell.During this period,Qu Dajun became the representative of nostalgia and history chanting in the late Ming Dynasty with his vigorous creation,special experience,full fighting spirit and endless grief in his poems.This chapter mainly expounds the general situation,ideological and artistic characteristics of their nostalgia for history creation.The fifth chapter mainly studies the artistic features of the Ming Dynasty nostalgia poems,focusing on the analysis of the artistic techniques of Song Dynasty and Ming Dynasty.Ming people chanted a lot about Song people's events in Song Dynasty,whose purpose was to express the feeling that Ming died in Qing Dynasty through the history that Song died in Yuan Dynasty.