Niushou Mountain Buddhist Culture And Literature

As a case study of the relationship between Buddhism and literature,the study of Niushou Mountain Buddhism and literature needs to include two academic perspectives.The first is to study the Buddhist factors in Niushou Mountain's literature and the second is to look at the specific cultural phenomena in Niushou Mountain's literature from the perspective of Buddhism and culture.In the first part,we study the literary writing tradition of Buddhist factors.In the second part,we study it from the perspective of power discourse and public writing.Our study is not Niushou Mountain Buddhism,but Niushu Mountain's literature.Our focus is to explore the cultural writing tradition in Niushou Mountain's literature.For Niushou Mountain Buddhism,its focus is the thought of unintentional harmony and vegetation becoming Buddha.However,these factors reflect some variation in Niushu Mountain's literature.Because literature has its own tendentiousness to the writing of cultural traditions.Through in-depth study of Niushou Mountain's literature,we found two major writing traditions about Buddhism in Niushou Mountain's literature,the writing of Lazy Rong and the Writing of the beasts influenced by Buddhist ideas.The writing of Lazy Rong has 40 poems,and the Writing of the beasts influenced by Buddhist ideas is 47 poems.What is ingenious is that the Buddhist basis of lazy harmony ability is the thought of unintentional harmony,and the Writing of the beasts influenced by Buddhist ideas is based on the thought of vegetation and trees becoming Buddhas.These two ideas are at the heart of Niutou Chan.From this,we construct the logical basis of the paper framework.In the first chapter,we focus on the study of the indolence and harmony writing in Niushou Mountain's literature,and construct the research paradigm of the literary writing tradition of Buddhist allusions.This research paradigm finds the significance of the first writer of allusions,and it realizes the "salvage" of allusions and the concretion of meaning and form.Taking the first writer as the boundary,this paper studies the evolution of the meaning of the first writer and the ability of allusion,and then studies the variation of the meaning and form of the later writers compared with the first writer and the reasons.At the same time,from the perspective of reading history,we also analyze why the "inflection point" occurred in the Song Dynasty,and propose that by examining the reading history of poets,we reposition the important value of Buddhist pseudo documents in literary writing,and make a concrete and solid exploration of the particularity of the Song Dynasty in the history of Chinese culture.To sum up,in the author's opinion,the research paradigm of constructing the writing tradition of Buddhist allusions in literature is the most important achievement of the first chapter.At the same time,we practice this research paradigm in chapter two and chapter four respectively,taking the allusions of the writing of Lazy Rong and the Writing of the beasts influenced by Buddhist ideas as examples.In addition,in the second chapter,we also explore the application skills of tabular research method in the study of ancient literature with the terms of legal harmony in Niushou Mountain's literature.The second chapter compares the indolence of Fa Rong with that of Wang Xizhi,so as to analyze the internal logic of each in this interesting cultural phenomenon which is different from the world and identical with the other.From the perspective of folklore,we explore the relationship between Wang Xizhi's action and the spirit of harmony in the literati of Wei and Jin dynasties.Another road,we can trace from the Niutou Zen and Zhuangzi's thought of diplomacy,in-depth interpretation of the "live" the Niutou Zen thought foundation,further study of "no way" and "not" logical relationship,finally build the lazy Buddhist basis-not intentional but reasonable.The third chapter echoes the research paradigm of the writing tradition of Buddhist allusion literature established in the second chapter,and focuses on the writing of the Buddha Dharma Sensory Beast.In this chapter,we further develop the advantages of the research ideas established in the second chapter and the tabular method,and the writing of the later generations of the Buddha Dharma sentient beast is clearly and firmly revealed.Our innovation lies in putting forward the "triple evidence method" of regional literature research,that is,paper handed down documents,underground documents and landscape documents.This method absorbs the thoughts of Wang Guowei and Fernand Braudel,explores the geographical and cultural factors of landscape literature,further expands the scope of data,and brings the study of regional literature to a broader perspective.In the fourth chapter,we read history perspective from the excavation of the origin of the lazy harmony sense of dharma beast allusions to spread and accept the lazy melting allusions to the spread of reading on the investigation of our investigation of Buddhism in the form of downstream related text of the source and propagation path future generations,and in the form of upstream literati source of reading and knowledge production.Through the study of these two approaches,we finally identified that the generation and acceptance of Lazy Rong allusions were related to the record of Jingde Chuandeng.Then we further investigated the record of Jingde Chuandeng with the context of the generation of Lazy Rong allusions,that is,the experience of Fa Rong.We found that Lazy Rong allusions were a fictional document,which was first born in Zutang Collection.According to the method of the history of books and reading history,we made the same investigation on the Writing of the beasts influenced by Buddhist ideas,and found the mainstream writing was also a fictitious document produced by the Jingde Chuandeng Records.Finally,we investigate the reasons for the construction and the formation of these two fictional allusions,and put forward two thinking turns: analyzing the writing intention of fictional literature to expand the use of literature,and attaching importance to the significance of landscape literature in the construction of cultural traditionThe second part of the study is to look at the specific phenomena in Niushou Mountain's literature from the perspective of Buddhism and culture.Two examples are selected,namely,the naming of Tianque Mountain by Wang Dao and the public writing of the literati in the Ming Dynasty.The two cultural phenomenons reflect the thought for studying the traditional literary writing.At the same time,we draw lessons from the research method of Foucault's power discourse.Tianque evaluation is built as a unique literary history of mentality,public writing in Ming dynasty care to Buddhist factors clutch with public writing mentality,with Bourdieu "literature field" train of thought of historical events and the thinking of the relationship between traditional literary writing.The fifth chapter is the writing and power discourse of Niushou Mountain's literature in turbulent times.This chapter systematically reflects on the research methods of regional literature and analyzes the relationship between the historical events in the turbulent Niushou Mountain's Age and the psychological history of literati from the perspective of power discourse.To break through the paradigm of regional literature as background or geography,regional literature should be analyzed in the sequence of cultural history.Under the guidance of this methodology,the specific research methods include: considering the occurrence of cultural phenomena from the unique geographical location;Pay attention to the cultural radiation of the mainstream literati to this region;Let the marginal phenomenon and the cultural history of the sequence of problems associated.Historical events take on new images and meanings through the lens of method.Niushou Mountain has become a field of power contention,which has the replacement of ancient and modern;Civil and official power struggle;The process of the establishment of the ego and the other;The position of the monarch and his subjects as well as the power discourse between the center and the periphery clashed.The above factors contribute to Niushou Mountain as a dynamic memory text,leaving the possibility for future generations to understand the history comprehensively and objectively.The sixth chapter studies the public literary writing of Niushou Mountain in the prosperous times,focusing on the three visits of the emperors of Ming Dynasty and their related literary inscriptions.The innovation of this chapter is that it absorbs the research perspectives of Habermas' "public domain",Foucault's "discourse of power" and Bourdieu's "literary field",and creatively establishes the research paradigm of public writing in Ming and Qing Dynasties literature.Poetry writing public as a text,from written records found in the position of further reveal the mechanism of power construction,no longer the poems as a poet "rethinks" realism,but returned to the context and power in the field of poetry creation,power through the poet mentality is created in the poetry in the influence mechanism in the literature.In the literary chanting of Niushou Mountain during the Yong Le's period,the writing of Buddhist elements and the power structure of emperors and courtier formed a subtle public writing space.How to show their refined taste and superb poetic skills in this public writing space,and how to flow into the personal writing of retreat and the pleasure of Chan without crossing the forbidden area of official writing,this is a problem that scholars have to face.In this chapter,we systematically analyze how the courtiers choose different ways of expression in this crevice,so as to comprehensively show how the micro power mechanism acts on the specific cultural phenomenon.Therefore,we construct a research method of public writing on both theoretical and practical levels.Since the Ming and Qing Dynasties,the public writing works under the influence of power are especially significant.This perspective will open a new way of thinking for the study of a large number of poetry and prose works in the Ming and Qing Dynasties,thus constructing a new research paradigm that truly conforms to the characteristics of literature and documents in the Ming and Qing Dynasties.