"Forget" Aesthetics

The research on "forgetting" originated from philosophical thinking.It was originally regarded as the methodology of understanding "Tao".Through the continuous exploration of Zhuangzi and scholars of later generations,it gradually played up its aesthetic significance.People realize that "forgetting" has special significance to the discovery of people's aesthetic mind and the construction of classical artistic state,and further applies it to the theory of poetry,painting and even all kinds of literary and artistic creation."Forgetting" exercises people's artistic mind.Through "forgetting things and me",the fetters of all external things are removed,and the aesthetic subject and object are one.Through "concentration" to keep the state of mind empty and clear,to realize the contemplation of aesthetic,to understand the natural and lively rhythm of life.When it comes to specific artistic creation,"forgetting" is the object of literary and artistic expression,the core of Chinese literary and artistic tradition,and an important part of the aesthetic charm of works.The taste of blank,harmony and filling power contained in "forgetting" are also full condensation of national cultural and artistic temperament,coinciding with the tradition of "valuing spirit " and the artistic pursuit of "sense beyond sense".Back to the reality,"forgetting" leads people to return to the natural origin of life,to seek natural and free ways of existence with the "tranquil and detached" personality,to maintain the harmony and order of human relations,and to realize the long-term and plainness friendship.The deep reasons behind "forgetting" deserve attention and exploration.The anxiety brought by the suffering of life cannot be removed.For those who pestered by the painful memories and frustrations,"forgetting" has also become a kind of survival wisdom,making it possible to achieve lightness and transcendence in the painful and limited life.