Textual Analysis And Performance Interpretation Of Dvorak's Piano Suite "Silhouetty" (Op.8)

This paper takes the Dvorak piano suite "silhouette" Op.8 as the research object,and tries to find the basic characteristics of the work through the text analysis of the spectrum,so as to solve the actual performance problems.The full text consists of three chapters.In the first chapter,the author analyzes the music structure of Dvorak's piano suite silhouette Op.8 from two aspects: the overall structure and the type of composition structure.The author will first use the form of tables to intuitively show the beat number,speed,mode,tonality and musical structure of the 12 small pieces of Dvorak's piano suite silhouette.Then the 12 small pieces of music in silhouette are studied one by one,and the musical form and structure of each piece are described in detail.In the second chapter,the author takes the 12 small pieces of the piano suite silhouette as independent individuals,and analyzes them from four aspects: speed arrangement,tonal layout,common transfer techniques,theme materials and development,so as to explore their basic characteristics and basic rules.In terms of speed arrangement,the author expounds the speed arrangement of silhouette from the two perspectives of the interior and between each Xiaoqu,and makes a comparative analysis.In terms of tonal layout,the author uses detailed words to reflect the basic characteristics of each small music.In terms of commonly used transfer techniques,the author focuses on Dvorak's use of more equal tone transfer,parallel size transfer,homotonic transfer and so on.In terms of theme materials,the author expounds the music theme and core theme materials of 12 piano tunes,as well as the blending of traditional folk dance theme materials and the composer's personal style.In the third chapter,the author summarizes the main piano playing skills of Dvorak's piano suite silhouette Op.8 from five aspects: legato staccato,harmonic texture,colorful passages,decorative sounds and complex rhythm.As a performer,through his own performance experience,the author combines the actual performance with the musical form structure,mode and tonality,theme materials and speed arrangement,so as to make the performance method run through the full text and give the readers specific practice methods.