Piano Suite "Tibet Drawing" Analysis And Performance

Piano Suite "Sketch of Tibet" is a composer, Mr. Cui Bing Yuan one of the representative, has won the "Fourth National music" Creation in 1985, set out in the "music" in 1986, the second phase. Creation in 1985, set out in the "music" in 1986, the second phase. This work is Cui Bing Yuan per teacher in the Tibetan folk songs to Tibetan areas during the customs for the portrayal of the object, Meaning Chinese traditional culture is the essence of western modern music composition techniques create complete, concise lyrical strokes suite will Tibetan folk customs lifelike sentiments outlined. And many times by Bao Hui Qiao, Li Ming Duo and other famous musicians to record CD and as a concert repertoire. Therefore, it is a symbol of cultural and artistic appreciation of the value of the work."Tibet Sketch" ditty by the three composition, are:Harmony-pastoral and antiphonal singing, bird-a Buddhist monastery, Zhuo-the villagers dance. The structure of the three ditty into a chapter each, and the content varies, but on the whole interconnected integration. This article from the different angles of their analysis. Analysis of hope by the author to make more clear the intent of the show in front of readers. This article is divided into four parts:the first chapter, Introduction and works of creation. Mainly from two aspects of analysis and creation, first, a brief experience of their works, followed by the introduction of his work combined with his creative style and features. ChapterⅡ, Piano Suite "Tibet sketch" of the topic material and creative way to do a detailed interpretation of both. Material on topics from the first set of local characteristics of local culture, introducing the "Tibet drawing" the creation of the background and significance. Second, the approach focuses on the works of creation, creation of means from each of the first movement of Suite begin analysis of their harmonic, mode and structure. ChapterⅢ, from the point of playing and teaching both the analysis of the suite, I will regard playing each movement of the Suite's performance skills, musical content to conduct a comprehensive analysis and explanation, and its focus on each movement of the difficulties of analysis and breakthroughs. Chapter IV, on the full value and meaning to do a summary. I realize that by summarizing the course of the study what are the deficiencies and shortcomings, so in future work and study in a timely manner to correct and better developmentIn addition, this paper mainly in the course of the study mainly the second and third chapters, the two chapters are the second creation of the work by the author, the second chapter is to proceed from the perspective of the analysis, highlighting its "modernity "characteristics of the content in terms of its first modern people's lives are closely linked, this first suite of the Tibetan people through music performance when grazing in a beautiful labor, high-pitched, open the song, in ritual piety, sincerity, the attitude of the mysterious, in the festival on the lively, cheerful, uninhibited dance. Second, from the more traditional techniques in terms of writing skills to be flexible, such as the transfer ceremony, although most of the use of the unique sound of the national five-six-tone style, but not the simple sound of the five or six sound, often using the integrated melody and tonality conversion are more frequent, and sometimes there will be a left hand a tone phenomenon of coincidence. Harmony is also unpredictable, highlighting the main features of the weak, tend to pay attention to color, the absence of clear functional. The third chapter is from the perspective of playing its second creation, the first author at the piano through the technical problems encountered, analyze the characteristics of each technique and performance skills to explain, so after playing the piano in the process of learn a lesson, followed by the author to find his own piano music in the process of important and difficult to analyze and study so that these issues are a breakthrough in the form of text. On the other hand I also understand the music through their own associations to interpret this work and the music content. After the players want to play a reference value.I hope this works on the creation of two was able to provide useful reference information. At the same time by summarizing the shortcomings and deficiencies in this article would like to peer in the future experience of the research process to provide a reference, in short, hope we work together to promote the development of piano music.