| In 2021,Henan Spring Festival Gala quickly came out of the circle with "Tang Palace Banquet".After that,Henan satellite TV arranged a series of "Chinese festival" galas to convey the value of the times of traditional history and culture.This paper takes the "Chinese festival" series Gala of Henan satellite TV in 2021 as the research object,borrows the narratology theory,and explains it from the aspects of the overview of Henan satellite TV series Gala,narrator and narrative perspective,narrative time,narrative space and narrative value,so as to highlight the creative characteristics of the gala.The first chapter expounds the series of galas of Henan satellite TV from the macro perspective of media pattern by analyzing the basic overview,development process and era background of the gala.The second chapter explores the combination of Henan’s traditional narrative language and culture,and shows the infinite narrative skills and local narrative skills.Because the gala is a complex narrative body intertwined with time and space,the third chapter analyzes the narrative time and narrative space of the gala from the perspective of narrative time and space,so as to enhance the aesthetic meaning of the gala in the overlapping narrative of time and space.The fourth chapter analyzes the narrative subject in the party from the perspectives of narrator and narrative perspective,and makes a combined analysis of omniscient perspective,internal perspective and external perspective,so as to expand the narrative space of the party.The fifth chapter expounds the narrative value and Enlightenment of the party,in order to bring inspiration to the creation of the same type of literary and artistic party.To sum up,the success of Henan satellite TV’s “China Festival” series of parties in 2021 is inseparable from the combination and application of various narrative elements.Therefore,to achieve a double harvest in viewing and reputation,the gala must make innovative exploration in promoting Chinese excellent traditional culture in terms of program content,gala form and narrative elements,integrate Chinese aesthetic spirit and immersive audio-visual into artistic expression,and have spiritual resonance with the audience in financial media communication. |