On The Development And Performance Form Of Ruan Xian In Han And Tang Dynasties

This thesis takes Ruan Xian in the Han and Tang Dynasties as the main research object,and investigates the development track of Ruan Xian in the Han and Tang Dynasties.Through the staged research on the development of Ruan Xian in the Han and Tang Dynasties,it analyzes the development context of its shape and performance in the Han and Tang Dynasties.,focusing on Ruan Xian’s holding posture,playing technique,performer’s posture and his role in the band during this period,and analyzes part of the image data.This article takes the pipa inlaid with snail and red sandalwood and Ruan Xian in Zhengcangyuan as the real standard instrument of Ruan and Xian in the Han and Tang Dynasties,and makes a theoretical analysis and research on the production process of the material,the size of the resonance box and the structure of the instrument of the Ruan and Xian pipa with inlaid snail and red sandalwood in the Tang Dynasty from the perspective of musical instruments.This thesis further analyzes the reasons for the diversification of Ruan Xian’s playing styles in the Han and Tang Dynasties,and interprets the cultural elements contained in Ruan Xian in the Han and Tang Dynasties.