Research On The Response Mechanism Of Public Space Landscape Based On Film And Television Experience

Under the background of the rapid development of Internet technology in the digital economy pattern and the active integration of various industries in society with the digital industry,many unique needs derived from the combination of digital culture have transformed people‘ s leisure and entertainment methods into diversified and personalized.Among them,the demand for film and television experience caused by film and television works cannot be ignored,which has a series of impacts on the regional tourism industry.The research on film and television tourism that gradually emerged in the 1990 s has generally realized the influence of film and televisio n media on tourism motivation,tourist behavior characteristics,product marketing and other aspects.However,it mainly focuses on new space such as film and television city planning,and lacks experience in responding to the demand of film and television experience from the existing regional public space landscape.Therefore,it is of theoretical and practical significance to explore the response mechanism / path to promote the high-quality integration of regional public space and digital industry content from the perspective of landscape planning and design,and to inherit regional cultural resources in an innovative perspective and way.Based on the scene theory and landscape narrative theory,starting from the demand of offline film and television tourism experience,this study takes the regional public space landscape as the research object,follows the research idea of ’ Japanese typical case combing reference-film scene shaping method induction-public space landscape response mechanism research ’,through the analysis of typical regional scene construction cases,summarizes the response paradigm of regional public space,and then refines the public space construction techniques and content framework under specific scenes,which is helpful to expand the research status of film and television tourism.The paper is divided into five stages: basic research,case induction,theoretical research,framework construction and empirical summary.In the basic research,through the collection of domestic and foreign literature on film and television tourism,public space response research situation,found that the current domestic regional public space due to film and television experience demand derived many phenomena,clear the necessity and innovation of regional public space response to film and television experience demand.In the case analysis,this paper takes Japan,which has more experience in the practice of digital resources in regional public space response,as a sample,and analyzes the cases of drama scene shaping and animation tourism practice in Toshima district,Tokyo.It concludes that the regional brand is shaped by paying attention to the construction of ternary space(cultural space,network space,real space),responding to the needs of tourists,and building special systems.In the aspect of framework construction,the application of scene theory is used to build the framework of characteristic film and television scene,and the basic characteristics of public space characteristics and types of film and television scene are analyzed.The scene behavior law of the crowd in the characteristic scene is refined.Combined with the case summary,the public space response content is proposed,which takes the film and television scene space construction,film and television scene behavior convergence and operation system support as the main body.Then,combined with the landscape narrative theory,the public space response model based on film and television experience is deepened,that is,to intervene in regional film and television experience through the public space response process of four-dimensional integration of micro-level foundation integration,meso-level scene updating,macro-level network construction and security system support.In the empirical summary,based on the upsurge of film and television experience in Chongqing and its mixed social and economic impact,this paper takes the central city of Chongqing as an example to sort out the basic information,regional resources and film and television resources in the region,screens the public space nodes that show the phenomenon of film and television experience,and conducts public space landscape response practice from the perspective of film and television experience.The microlevel carries out the basic integration of public space through the multi-factor optimization section of public space;in the middle level,according to the types of public space and the style of film and television scene,the film and television scene of the central city is constructed by narrative means such as regional style positioning,regional scene construction and regional cultural expression.At the macro level,the three-level network system of backbone structure,secondary structure and branch structure is constructed,which relates to other regions of the city.The positive impact of film and television experience is guaranteed through the operation system and circulation mechanism.In this way,specific plans are generated from the four aspects of micro integration,meso-update,macro coordination and system operation to guide the development of public space response based on film and television experience in the central urban area of Chongqing.Finally,based on the practical results,this study puts forward suggestions for public space response based on film and television experience in general regions,to provide reference for public space response practice based on film and television experience in other regions in the future.Overall,this study attempts to construct the public space landscape response framework of ’ scene space construction-scene behavior cohesion-operation system support ’ under the guidance of scene theory and innovates the deconstruction method of characteristic scenes under the digital economic pattern from the theoretical research level.Under the guidance of this framework,combined with landscape narrative theory,this paper summarizes the spatial response principles of ’ element echo,limited development,and event ’ in film and television scenes,and the public space response mechanism of ’ basic integration,scene shaping,network construc tion and guarantee system ’,which enriches the basic paradigm of regional public space landscape response scenes.Based on the above research,this paper innovates the response framework of characteristic scenes,as the direction guide for the future renewal of urban public space,innovates the renewal ideas of urban public space,and strengthens the practical significance of theoretical and practical research.