The Language Of Spac

The construction of Suzhou classical gardens combines the natural landscape artistic conception with the literary context,and constantly pursues the unity of spiritual culture and material life.The textual language of the plaques and the inscriptions in the gardens plays a role in the form transformation of the narrative and artistic interpretation of the garden space,which greatly deepens the poetic and painting environment of the literati gardens.Taking the connection between literary context and garden artistic conception as a research clue,the paper analyzes the connection between Suzhou classical gardens and Chinese classical landscape painting and landscape poetry.Through the interpretation of the literature,the field investigation of Suzhou gardens,and the analysis and comparison of different literati garden cases,this paper summarizes the narrative transformation function of the plaque and the title in the Suzhou classical garden space,from the narrative context of traditional Chinese landscape poetry and landscape painting.This paper analyzes the relationship between the expression of artistic conception and the literary garden.As the main body of the creation and aesthetics of the garden,the literary garden integrates the theories of landscape poetry and landscape painting as well as its own aesthetic concept of natural landscapes.Taking Canglang Pavilion,Humble Administrator’s Garden,Coupling Garden and Lion Forest as typical cases,this paper classifies and analyzes the characteristics and origins of the plaques,and then analyzes the narrative of the plaques in combination with the gardens.Elaborate on the connection between its spatial theme and naming.The relationship between spatial elements and the overall layout is explained by exemplifying various gardening techniques,and cases are used to assist the explanation of gardening techniques.The garden space experience is analyzed from the perspective of path and area,and the spatial artistic conception is analyzed from the connection between scenery and emotion.Then,I will explain the formal language conversion of the title of the plaque,from three aspects: the poetic narrative of the theme context,the spatial narrative of the literary and painting context,and the scene construction of the morphological elements,using the mutual transformation of the literary context and the formal language of garden design.elaboration to summarize the narrative transformation of the plaque and inscription in the Suzhou classical garden space.