The Architectural Design Research Of Shangri-La Moonlight City In The Perspective Of Critical Regionalism

The architecture of Shangri-La Tibetan area has been influenced by international modernism and the regional characteristics have been lost and mutated,becoming more and more "homogenized" and "symbolized",and the deep cultural connotation of the architecture has been lost.This thesis focuses on the architectural design of the Moonlight City in Shangri-La,and is supplemented by the design of the facade renovation of the Moonlight City and the design strategy for the improvement of the sunshade of Diqing Tibetan Autonomous Prefecture,to explore the architectural design strategy of the Tibetan area in Shangri-La under the vision of critical regionalism.In the end,the basic starting point of the design is to respond to the geographical and climatic environment,construction techniques and humanistic environment,and the basic principles of the design strategy are "strangeness","constructive method" and "spirit of place",and the specific design strategies are typology,"physical expression" and scene creation.Finally,a specific design path suitable for the architectural design of Tibetan areas in Shangri-La is explored.