Research On The Emotional Cultural And Creative Design Of Zhuang Ethnic Baby Carriers Patterns

In the Zhuang culture,the baby carrier has been regarded as a protective device for newborns since ancient times,It symbolizes the blessing of the newborn,the awe of life and the longing for the future,with distinct regional characteristics and emotional implications.However,most of modern Zhuang braces are industrial products produced in mass and standardization,which leads to the lack of emotional core and is difficult to meet the more delicate emotional needs of modern people.Therefore,the integration of Zhuang braces patterns and emotional design with blessing culture has broad development prospects and market space.Based on the patterns of Zhuang backstraps,this paper takes the theory of emotional design as the entry point,studies the corresponding relationship between the design of cultural and creative products and users’ emotional needs,summarizes the strategy of combining the patterns of Zhuang backstraps with emotional design,and finally explores how to combine the patterns of Zhuang backstraps with the design of cultural and creative products.In this paper,field investigation is taken as the main research method.According to the narration of Zhuang people and the characteristics of their living environment in the Zhuang settlements,this paper studies the Zhuang braces from the perspective of emotion,understands the development and classification of the Zhuang braces,and explores the cultural connotation of the patterns of the Zhuang braces.Then,through literature research,Norman’s concept of emotional design and his three-level theory of instinct,behavior and reflection are studied,and the spirit and emotional core of Zhuang backband patterns are deeply analyzed.Based on the preliminary investigation and analysis,from the emotional instinct,behavior,reflection level,put forward effective strategies for this design practice.Finally,by focusing on the questionnaire survey method,the design practice is positioned and the design scheme is determined through the data analysis of the survey results,and the design transformation is finally completed.The research experience of ethnic culture derivative design is summarized,which can be used as a reference for similar types of research.The final theoretical and design practice comprehensively shows that introducing emotional design concepts into the design of cultural and creative products in ethnic culture is an innovative practice based on people.It is feasible and provides new ideas for designers of cultural and creative products in ethnic culture,which can promote the development of the cultural and creative industry in China to a certain extent.