A Study On The Translation Of Xin’an’s Four Tandscape Paintings In Contemporary Literati Architecture

With the continuous development of modern natural sciences,the integration of cultures has led to the convergence of world architecture,the uniqueness and symbolism of architectural culture are gradually melting,and the architectural group has begun to fall into the situation of "one thousand cities".Under such circumstances,literati architects gradually realized the contradiction between "deconstruction" and "freehand brushwork",and began to explore the continuum between traditional Chinese culture and traditional architecture,so as to cultivate an architecture that conforms to their own architectural theory system.Artistic language to present the poetic plot of literati space.Therefore,taking traditional Chinese landscape painting as an exploration of spatial construction awareness and visualization methods,and then analyzing the isomorphic relationship between landscape icons and architectural space,effectively expands the translation of traditional painting language into contemporary literati architecture.This paper uses the four landscape paintings of Xin’an as the medium,and uses the translation design theory of literati architecture to discuss the inheritance,innovation and remodeling of the four landscape paintings of Xin’an in the literati architectural space.Firstly,by sorting out the relevant basic theories,discuss the background,thinking and creative philosophical spirit involved in the four landscape paintings of Xin’an,and analyze the artistic elements,spatial layout and composition mode,spatial narrative and artistic conception contained in the four landscape paintings of Xin’an..Secondly,under the exploration of the elements of natural form and artificial form,it analyzes the translation path of literati architecture,and summarizes the influencing factors and translation methods of contemporary literati architecture: graphic natural translation,similar-type and different-type translation.Furthermore,based on the above related research,the translation principles of "objectiveness and structure","clarification and narrative","line of sight and naturalness" are proposed,which will be feasible,expected,habitable,and travelable.As the basic vocabulary of literati architectural space combination,space definition is used to construct the translation methods and steps of Xin’an four landscape paintings based on "form source-reading painting generation-spatial structure-effect interpretation".Finally,on the basis of space definition and site selection analysis,a series of experimental design interpretations of literati architecture are carried out.This article uses the contemporary literati architectural design thinking mode to translate,analyze and deduce the design practice of the four landscape paintings in Xin’an.This will help us to see the center of architecture,and provide more ideas and references for exploring the poetic expression of material environment space and for the construction and creation of contemporary literati architecture.