Research On Feng Jiyong’s National Instrumental Music Creation Techniques And Style

After more than half a century of historical accumulation,Shaanxi national instrumental music creation has become an important part of Chinese national instrumental music creation and regional "Qin school folk music".Since the 1980 s,the older generation of composers represented by Rao Yuyan have been sparing no effort to contribute their own strength to the creation of Shaanxi national instrumental music,making Shaanxi national instrumental music creation into a mature stage of development in the new century.At the beginning of the 21 st century,young composers represented by Feng Jiyong combined their own artistic experience and international vision into the creation of Shaanxi national instrumental music,injecting fresh blood into the creation.In this paper,"Feng Jiyong’s six national instrumental music works" as the research object,music,sound,literature as the main research data.The first chapter mainly focuses on the creation of Shaanxi national instrumental music since the new century(including creation overview,Feng Jiyong and his introduction to the creation of national instrumental music).The second chapter is about the national factors in the creation techniques(including small and medium-sized works--the reference of traditional music elements,band works--the reference of Shaanxi folk music materials).The third chapter is about the contemporary factors in the creative techniques(including the application of western musical structure,the application of polyphony techniques,and the change of rhythm and stress).Through the analysis of music ontology,this paper analyzes the changes in the creative techniques and styles of the folk instrumental music works of Feng Jiyong,a young composer from Shaanxi Province,and Rao Yuyan and other older composers.It is hoped that the discussion,analysis and research of this paper can arouse the academic circle’s attention to the creation of Shaanxi national instrumental music.At the same time,it is hoped that this article can provide reference ideas for future scholars and make a contribution to the future development of Shaanxi national instrumental music creation.