The Application Of Tang’s Three Colored Female Terracotta Figure Modeling In Oil Painting Creation

The Tang Dynasty,as a glorious dynasty in Chinese history,continuously accumulated material wealth and frequent cultural exchanges at home and abroad,creating a rich and diverse range of cultural and artistic works.The magnificent tomb art of Tang Sancai is one of them.As a highly integrated product of Tang Dynasty art and technology,the three colored female figurines in the Tang Dynasty are particularly eye-catching due to their rich and diverse themes,vivid and interesting character descriptions,and a true reflection of the life style and aesthetic trend of women in the Tang Dynasty.Therefore,as the research object,this paper specifically discusses the characteristics and aesthetic connotation of the plastic arts of the three colored female figurines of the Tang Dynasty,and how to combine the traditional artistic modeling such as the three colored female figurines of the Tang Dynasty with oil painting creation.This article analyzes the shape characteristics of the Tang Dynasty’s three colored female figurines from different periods through the study of relevant literature and materials,as well as the collection of photo materials from museums in several regions where the Tang Dynasty’s three colored female figurines were unearthed more frequently.Through the changes in the shape of the three colored female figurines during different periods of the Tang Dynasty,we can glimpse the subtle changes in the economic development and social aesthetic taste of the Tang Dynasty.Summarize and summarize the external appearance of the Tang three colored female figurines from the early Tang,prosperous Tang,and middle to late Tang periods,and specifically discuss the integration of their external appearance and internal aesthetic connotation,in order to elucidate their aesthetic beauty and value.By continuously researching and exploring the shapes and aesthetic connotations of Tang’s three colored female figurines,we aim to create oil paintings with more unique aesthetic appeal.During the creative process,the traditional Tang three colored female figurines were re examined from a modern perspective.In terms of the shape of the female figurines,the Tang three colored female figurines,which are inclusive of foreign culture and concepts and can reflect the prosperity and development of society at that time,were selected.The focus is on the possibility of combining the high saturation and block like characteristics of decorative mosaics with the gorgeous feeling of glazed and painted Tang three colored female figurines,as well as the concise and summarized characteristics of their shapes,and ultimately using this expressive technique to complete oil painting creation.This article aims to grasp the constant factors of the traditional shape of Tang Sancai female figurines and combine them with modern expression language to transform traditional shapes into modern deconstruction art,and explore new ideas in tradition in this way.Extract the artistic beauty that transcends the boundaries of the times from traditional Chinese art and culture,endow them with modern significance,and enable traditional culture and art to follow the times and glow with vitality.This is also a direction that Chinese art workers can work towards,rooted in the national and local art culture.