The Study On The Inscriptions Of Flower And Bird Paintings In The Song And Yuan Dynasties

During the late Tang and Five Dynasties periods,flower and bird painting experienced a golden period of development that reached its peak in the Song Dynasty.The Song Dynasty’s philosophy forged the wings of"Chongli"(崇理)and"Shangyi"(尚意)that made painting take off.The concept of sketching brought by Chongli deepened the technical development of flower and bird painting,while Shangyi made painting draw on literature’s"situational blend The"scenic blending"of literature.Taking Emperor Huizong of the Song Dynasty as the boundary,the situation of inscriptions in painting before and after his time was very different.He reformed the system of painting academies,started to advocate inscriptions earlier and practiced the integration of painting and calligraphy himself,and inscriptions formally became one of the indispensable elements in painting.The Yuan Dynasty,the literati hold the right to speak in the painting world,the rise of literati painting,painting birds and flowers formed the development of the plum,orchids and bamboo and other inscriptions,the literati to literature and calligraphy,making birds and flowers painting inscriptions again built peak,Yuan such as Zhao Mengfu,Wu Zhen,Wang Coronet,etc.have inscriptions of birds and flowers painting.In short,Song for bird and flower painting inscriptions originated,Yuan pushed and helped to lay the foundation for the direction of bird and flower painting inscriptions.Therefore,studying the connotation and form of inscriptions on birds and flowers in the Song and Yuan dynasties has the effect of tracing the roots and taking the pulse of history.The article uses documentary research to investigate the rise of inscriptions on bird and flower paintings.With the maturation of flower and bird painting techniques and the impetus of science,flower and bird paintings pursued a blend of scenes and produced a fusion of poetry and painting,coupled with the concept of the same origin and method of painting and calligraphy,calligraphy was the carrier needed for the emergence of poetry and writing,and thus flower and bird inscriptions were born.In terms of the relationship between the inscription and the picture,the analysis of classic works through case analysis reveals that the poetic text can expand the sensation of the picture in terms of hearing and touch,and can also write the intention and creation background,helping the viewer to enter the spiritual world of the painting.The aesthetic connotation of calligraphy and the stylistic harmony of flower and bird paintings are used as the purpose to reveal the correlation between the choice of calligraphic style and painting.Based on the conclusions drawn from the literature analysis,the formal analysis method is used to illustrate the importance of the principles of the composition of flower and bird paintings,such as the generation of the trend,the extension of the visual line,and the change of the composition of reality and emptiness,which play an important role in the composition,and at the same time,the homogeneity of the aesthetic connotation between the inscription and the picture is also illustrated.In the practice section,the creation of "The Dancing Snow in the Evening Covered the Bamboo" is taken as a practice sample,and on the basis of summarizing the previous works,the poetic inscription is used to expand and sublimate the connotation of the painting,and the poetic language is used to express the poetic mood,and the combination of poetry,calligraphy and painting is practiced.