A Brief Analysis Of The Language Of Contemporary Planar Oil Painting

Nowadays,with the development of society and the progress of science and technology,artistic creation also keeps developing with The Times,and it is bound to have its development course."Flatness" is a kind of expression form with the most cultural characteristics of modernism,and it is a kind of painting form integrating eastern and western paintings.Contemporary painting language tends to be flat,and plane painting language as early as the Stone Age has been spgermination,stone mural painting is the earliest embryonic form of plane painting.Plane oil painting language no longer emphasizes a single realistic oil painting style,no longer only uses one painting style to define another painting style.The planar oil painting language emphasizes the mutual harmony between painting and things.With the development of ideological trends and aesthetics at home and abroad,it breaks the traditional law and is no longer limited to the representation of objective things,but gradually finds and forms a unique painting style through the expression of subjective emotions.It emphasizes the subjectivity and the expressive power of the oil painting language,returns the object image to the plane,and reflects the inner spirit.Through the interpretation of the language of planar oil painting,combined with the creation of contemporary artists such as Shang Yang,Ding Yi,Wang Keju and Tuo Musi,this paper analyzes the composition,modeling and color language in the language of contemporary planar oil painting.This paper expounds the author’s creative conception,creative practice exploration and creative perception by using planar language in the creation of the series of works Miao Jia Nu.Nowadays,the minimalist plane style that we pursue expresses the inner emotions of artists,reflects people’s aesthetic pursuit,integrates our ethnic aesthetic concept,ethnic spirit and local language,and brings more possibilities for our contemporary oil painting.