The Study Of The Language Of Paintings In Zhang Daqian Splash Ink Splashing Landscape Painting

The Chinese cultural field in the twentieth century is facing huge changes.After the "New Culture Movement",a anti-traditional art trend was formed.It first began in the field of literature and then spread to the field of painting.Zhang Daqian,one of the most representative artists in this period,cleverly combines Chinese traditional Chinese ink splashing techniques and artistic spirit with the creation of ink painting in his later years with the concept of modern painting.The new form of Chinese painting art also represents the high achievements in his painting art,and is well-known for Chinese and foreign painting.This article studies the methods of literature research,image analysis,summary summary,and visiting investigations,and studies Zhang Daqian’s splashing ink painting landscape painting,and discusses the painting language in Zhang Daqian’s painting in landscape painting.This study specifically followed the four parts.First,to explore Zhang Daqian’s life and the origin of splashing ink,combined with Zhang Daqian landscape painting in the painting practice of painting and splashing in ink for overall analysis.Secondly,through the integration of traditional Chinese painting,the impact of Western painting concepts,the demonstration of self-exploration spirit,and practical factors,the reasons for the formation of Zhang Daqian’s splashing landscape paintings.Third,focusing on the specific painting works of Zhang Daqian’s splashing color landscape paintings,in detail the characteristics of painting forms of painting forms in detail from the aspects of composition,pen and ink,color,and artistic conception,and the paintings of Zhang Daqian,Liu Haisu and Xie Zhiliu,paintings and landscape paintings.Compare and analyze their different language characteristics.Finally,from the two aspects of thinking and form,the impact of Zhang Daqian’s splashing ink splashing landscape paintings on the creation of contemporary landscape paintings.In summary,the language of painting and painting paintings in Zhang Daqian’s landscape painting combines the traditional Chinese painting spirit and contemporary painting visual illustrations to enrich the creative techniques of Chinese landscape painting and strengthen the scholars’ understanding of the cultural connotation of painting.This research provides a new perspective for the creation of landscape painting in the future.At the same time,it also shows the lack of painting language expression in traditional landscape painting,which has important reference value for the development of Chinese paintings,especially modern and contemporary landscape paintings in the new period.