The Artistic Features And Research Of Family Emotional Drama From The Perspective Of Film Narratology

This paper studies the artistic creation of the family emotional drama film "Little Bridge" from the perspective of film and television narratology.By analyzing the related theories of narratology,it guides the artistic creation practice of family emotional drama film with the theories.Film and television narratology is the study of film narration,exploring the narrative issues of narrator and receiver,time and space,story and plot,point of view and structure in the film.At the same time,film and television narration combines picture and sound,narrating not only through picture,but also through sound,both at the same time.In the film,when the children help their parents get back together,each character in the story not only realizes the return of family affection,but also completes the transformation of each character.Under the guidance of the children,the parents understand each other better and re-examine their husband and wife relationship,which also completes the spiritual and spiritual growth of the characters,and the family gets back together,and everyone changes for this.More understanding,more tolerance,more love,become a better person,family is always a place to pay attention to love rather than pay attention to right and wrong place.This paper is divided into eight parts: the first part is the introduction,including the research background,purpose and significance,research status at home and abroad,research methods and research innovation;The second part is the theoretical basis,including the overview of film and television narratology theory and film and television narratology in the family emotional drama "Little Bridge" can be moderate;The third part is narrative structure design,including title meaning,script design and narrative content;The fourth part is the display of narrative strategy,including promoting narrative characteristics in the change and shaping characters in the growth;The fifth part is about the use of narrative skills in the film "Little Bridge";The sixth part is narrative aesthetics expression;The seventh part is the analysis of the shortcomings of the creation and reflection;The eighth part is the conclusion.By studying the theory of film and television narrate,this paper is devoted to solving the problem of how the theory of film and television shapes the characters in family emotional dramas.Character shaping is the core of film art creation,and the people in the film are a symbolic symbol,which promotes the development of the film plot.Meanwhile,it analyzes the ontological characteristics of the film,which exists in the way of time and space,and takes the combination of sound and picture as the basic artistic vocabulary.Shaping audiovisual screen image.The film reflects the logical continuity of film and television narrate,which can create a richer ideographic space in the setting of space and reflect the depth of time."Little Bridge" is a film with real colors,and the real life with the marks of The Times and the real fate of individual characters are significantly presented by Zhao Kun and Li Yue.In the theory of film and television narration,Deeper expression of true,good,beautiful human warmth.