A Wandering Song:A Study On The Spread Of The Mongolan Folk Song "Dagula"

Dagula "is a folk song mainly circulated in the eastern region of Inner Mongolia.Through field work,it has been learned that different versions of this folk song have emerged with regional styles in the process of live dissemination.During the performance process,people can freely switch between narrative and lyricism based on the context and expression needs.Multiple forms of expression such as solo singing,chorus singing,and duet singing have emerged on stage,and their genre forms are not fixed,but centered around folk songs.At the same time,stage plays have emerged In the era of new media,the original context and performance of songs have also undergone more changes in forms such as television folk operas.Oral music presents a multi-level "flowing" appearance in the dissemination process,which has been fully demonstrated in the inheritance of this folk song.In my research,the author gradually discovered that the "Dagula"presented during the dissemination process is not only the inheritance of folk songs,but also an "artistic collection" with "Dagula" as the theme and folk songs as the main form,with "fluidity".Taking Dagula as an example,this paper explores the"flow" of the folk song in the live communication from the aspects of the music itself,the communication subject,the communication media,the communication path and the effect,based on the field research and using the perspective of music communication,by exploring its historical existence form,the consciousness and role of the "gatekeeper" or the communication subject,the communication media and the diversified communication path,etc,Thus exploring the essence and dissemination laws of oral art texts.