Research On Intersubjectivity Of Network Literature In The Context Of New Media

Nowadays,the new media has realized the real-time exchange of massive information and the equal interaction between subjects by relying on the ever-changing digital internet technology.The new media technology not only promotes the digital transformation and interactive production of Chinese contemporary literature,but also produces a new form of media literature with obvious characteristics of the times--network literature.The online literature subject based on internet media has different characteristics from the traditional printed literature subject,which is specifically manifested as the change of literary subjectivity.In the process of modernization transformation,Chinese contemporary literature has accepted the influence of network media and constructed a unique new media art field of "interactivity".In this field of equal interaction and free sharing,the literary activities of the author,reader and text should be carried out by the attributes of the inter-subject.In this case,the author and reader,as the two-way subject of literary production,accept the regulation of media in the network field and realize the inter-existence of network literature.The expression of intersubjectivity of network literature is a mediational remedy for the subjectivity of traditional literature.It is mainly manifested as the broken form of "subject-object" in traditional literature and the re-construction of the relationship between interaction and dialogue between "subject-subject",which emphasizes the interactive symbiotic relationship between the subjects under the action of new media.In the process of network literature writing,both the creative and accepting subjects have experienced self-reconstruction with the help of network media,so that the self has established a symbiotic and co-existing relationship in the communication with others.Therefore,this paper will explore the new change of the relationship attribute between subjects and subjects of network literature activities under the background of new media context.The structure of this paper is as follows:The first chapter discusses the reality of the interaction between the emergence of new media context and network literature under the influence of modern science and technology and Internet media.Network literature,which is located in the center of the new media literary field,produces and creates the subject in the digital virtual cyberspace,which changes the existence attribute of the main and guest binary of the subjectivity of traditional literature,and directly brings the inter-transformation of the subject and its relationship.The essential existence of intersubjectivity is group,which negates the existence of isolated individuals,and avoids being obscued by sociality,that is,it is manifested as the co-existence of self-subject and object subject,and finally forms a world of interactive subjectivity.The second chapter discusses the change of subjectivity of network literature,which is the specific manifestation of literary intersubjectivity.Different from the traditional literary creation,the creation subject of network literature has experienced the transformation of the identity of the people,and has realized the freedom of writing in the equal interactive cyberspace.The combination of man and machine brings a controversial dimension to the reality of literary creation.At the same time,the receivers of network literature participate in the process of literary creation.The special generation mode of network literature makes the receivers become readers with production characteristics,that is,the status of readers has been improved unprecedentedly,from the traditional "author-centered" writing to "reader-centered" writing.Readers’ worship of the author’s "unidirectional" style has turned to the two-way interaction of equality and freedom with the author,which also reflects the current derivation of "audience standard".In this case,the network literature text is also undergoing the reconstruction of inter-subject,which is manifested in the existence of pluralistic and dynamic intertextual subject.The third chapter discusses the cultural representation of the interactive aesthetic value of the subject of network literature.The main body of network literature develops in the way of inter-activities,which means that the main body’s aesthetic communication relationship presents the development of diversity.The multiple interaction of network literature subjects in cyberspace not only shows the aesthetic experience of "integration",but also forms the on-site experience of interactive perception.However,while emphasizing perceptual experience and the return of artistic authenticity,the intersubjectivity of network literature also forms contradictory aesthetic paradoxes,but it is precisely these seemingly contradictory paradoxes that constitute the aesthetic tension of the intersubjectivity of network literature.The fourth chapter discusses that the subject of network literature has formed new intersubjectivity at the same level with the help of network media in communication,and at the same time,it has realized the meaning construction of identity value.On the one hand,through the construction of meaning value and the transformation of contemporary aesthetic value to achieve the subject in the interaction of mutual understanding and emotional resonance.On the other hand,the virtual position of the main body of network literature creation and the "happy principle" pursued by readers also bring the ontological loss and dislocation to literary creation.