Research On Xin Qiji’s Nandu Ci From The Perspective Of Literary Geography

Xin Qiji has more than 600 extant poems,which is the writer with the most extant poems in the two Song Dynasties.Xin Qiji was a great unrestrained poet and patriot in the poetry circle of the Southern Song Dynasty and even in the history of China.As a returnee from the Jin Dynasty to the Song Dynasty,he suffered from ostracism and framing in his official career in the Southern Song Dynasty.Therefore,he chose to stay in the mountains,rivers,lakes and seas during his leisure time in the South,and wrote poem after poem.These Ci poems,especially Nandu Ci poems,show strong regional characteristics.By studying Xin Qiji’s Nandu Ci creation from the perspective of literary geography,we can explore the characteristics,formation reasons and evolution process of Xin Qiji’s bold and graceful Ci style.The historical background of the confrontation between Jin and Song dynasties prompted Xin Qiji to leave his hometown and join the Southern Song court.However,political frustration prompted him to send his frustration to green mountains and clear rivers,which laid the foundation of geographical factors for the change of his ci style.In the Southern Song Dynasty,more attention was paid to human geography,especially the appearance of regional Chronicles,which blurred the boundary between literature and geography.Xin Qiji began to observe landscapes from the perspective of a military scholar,and Jiaxuan poems with unique Southern flavor came into being.In the Southern Song Dynasty,Xin Qiji was forced to serve as a temple official due to the tense confrontation between the Song and Jin dynasties and the awkward situation that the court had too many people and too few officials.This period was the golden age of Xin Qiji’s literary creation.This thesis analyzed the influence of the northern and southern regional cultures on Xin Qiji’s literary creation from the perspectives of physical geography image and human geography landscape,selected four classic physical geography images of landscapes,animals and plants,analyzed Xin Qiji’s love for the beautiful natural scenery,and explored the sadness and loneliness in Jiaxuan’s heart when he was accompanied by hope and hagdon and compared with the plum blossom.The connotation of human geography landscape is more rich,from the festival folk words to explore the nostalgia of Jia xuan and can not go to the battlefield grief;From the use of southern regional dialect to explore the leisurely life of Jiaxuan complacent;The use of historical allusions reveals Jia Xuan’s inescapable ambition;Select pavilions and pavilions from the building as a typical analysis of Jia Xuan that beat constantly melancholy.The geographical space narration in Jiaxuan Nandu Ci is very diverse.The freehand place names and freehand place names are interleaved with both fictitious and real,with both documentary function and aesthetic significance.The multiple combination of time and geographical space also makes Jiaxuan’s meaning richer and its emotion more sincere.At the same time,various conversion techniques also make the level of Nandu Ci clear and expand the geographical space in the ci.There is a two-way interaction between literature and geography.Different regional cultures in the north and south promote Xin Qiji’s literary creation style from grand and heroic to graceful and beautiful.On the basis of absorbing regional characteristics and developing itself,Jiaxuan Nandu Ci also plays a certain role in promoting regional development.After Jiaxuan’s writing,the south geographical landscape such as West Lake and Yugu Terrace became literary landscapes and eventually rose to literary images.Meanwhile,the Dien Zu Lou built by Jiaxuan also became the object of chanting by later generations.Finally,based on the organic integration of literature and geography,this thesis explores and analyzes the historical geography research value of Xin Qiji’s south-crossing Ci "to make history by Ci",links Jiangxi regional ci writers group with Xin School CI writers,and explores Xin Qiji’s promoting role in it.