Research On Rizhao Peasant Paintings From The Perspective Of Folk Art

In the history of new Chinese art,peasant painting is regarded as a kind of painting with unique painting forms.Although it is slightly younger than other folk arts,it takes village culture as its parent and traditional folk art as its modeling basis.Its creation always runs through the life of farmers,farming culture,folk art and distinct themes of the times.It intuitively and understandably displays the social style of rural villages in different periods and displays colorful rural life and local memories.Rizhao peasant painting,as a kind of painting art of peasant painters reflecting people’s life,expressing subjective feelings and aesthetic tastes,is based on and originated from the original art,production methods,folk culture,folk customs and the folk aesthetic concepts formed by the accumulation and inheritance of local folk for thousands of years,and carries profound cultural connotation behind it.This paper takes Rizhao peasant paintings as the research object,based on the perspective of folk art.The purpose is to analyze the folk customs,unique geographical features,permanent production and labor,as well as the subjective emotion and aesthetic spirit embodied in Rizhao peasant paintings,so as to excavate the rich folk image and cultural connotation.The second chapter of this article mainly starts from the research of folk art,one of the research elements of folk art,to briefly describe the uniqueness of Rizhao peasant painting in human and regional environment,and to clarify its development context and the complete process of Rizhao peasant painting creation.The third chapter,through the comparative research method of folk art proposed by Mr.Zhang Daoyi,compares the peasant paintings of Rizhao and those of other regions with the same theme,compares their different cultural forms,social forms and life forms,and analyzes the uniqueness of peasant paintings of Rizhao.The fourth chapter explains the folk aesthetic concept contained in Rizhao peasant paintings,emphasizes the unique folk art function of Rizhao peasant paintings as an excellent folk art,and explores its rich expression of emotion and cultural value.The last chapter analyzes the problems existing in the development of Rizhao peasant painting,selects the representative contemporary peasant painting innovation typical cases,provides reflection and reference for the development of Rizhao peasant painting,and explores the feasible road for the future development of Rizhao peasant painting.Rizhao peasant painting is the representative of Shandong and even the country’s outstanding peasant painting.This paper will systematically sort out the relevant discussions of Rizhao peasant painting,broaden the existing research ideas and methods of Rizhao peasant painting,enrich the practice and theoretical research of Rizhao peasant painting in the direction of folk art,and provide academic support for the development of Rizhao peasant painting.Rizhao peasant painting is the representative of excellent peasant painting in Shandong and even the whole country.This paper will systematically sort out the relevant discussions of Rizhao peasant painting,broaden the existing ideas and methods of studying Rizhao peasant painting,enrich the practice and theoretical research of Rizhao peasant painting in the direction of folk art,and provide academic support for the development of Rizhao peasant painting.