Study On Musical Characteristics And Singing Voice Of Qinyuan Yangko

Qinyuan Yangko,originated from the folk song form of Qinyuan minor,went through the form of song and dance,and was finally transformed into a small opera form and stepped on the dramatic stage in the 1940 s of last century.In the beacon years,it played the role of "uniting the people,educating the people,fighting the enemy,eliminating the enemy";After the founding of the People’s Republic of China,it actively creates works reflecting life in the socialist era to serve the people,serve socialism,and encourage the people to build a socialist motherland.In 2021,it was also approved as the fifth batch of national intangible cultural heritage representative projects.Qinyuan Yangko also has a high aesthetic value,and its singing does not only retain the local flavor in the process of development,but also shows certain skills.The singing analysis of Qinyuan Yangko can improve the singing skills of national vocal music and expand the repertoire of vocal music,and the ontology analysis can supplement the analysis of the characteristics of the musical color area of the region.As a local opera,although Qinyuan Yangge has been declared as a heritage site in the form of opera,its singing voice and musical characteristics are extremely special,maintaining the singing voice of folk songs,and its musical characteristics are also in line with the characteristics of the music card body in traditional music.Qinyuan Yangge not only has the characteristics of folk songs,but also is in the process of evolving to opera,which has a certain typicality.Based on data review,music score analysis and fieldwork,this paper uses field investigation and interdisciplinary research methods to study the development,ontology and singing voice of Qinyuan Yangge and put forward feasible suggestions for inheritance.This paper is divided into five parts.The first part analyzes and explains the background of the formation of Qinyuan Yangko with the theory of music geography,which is of reference value for appreciation of Qinyuan Yangko.The second part defines the three forms of Qinyuan Yangko and determines the formation time by referring to the materials and oral records of the staff of Qinyuan County Cultural Center.It also records the contemporary survival and evolution of Qinyuan Yangko.The third part analyzes the Qinyuan Yangko included in the Collection of Chinese Folk Songs · Shanxi Volume,and obtains the characteristics of Qinyuan Yangko.The fourth part takes the oral narration and performance of the provincial inheritor of Qinyuan Yangko,"Nanyulan",as the analysis object,and analyzes the singing voice.The fifth part puts forward suggestions on the survival and subsequent development of Qinyuan Yangko,so as to help the inheritance and development of Qinyuan Yangko after analysis and research.As an intangible cultural heritage,Qinyuan Yangge should enhance its "blood-making" ability while protecting it,and strive to revitalize it in the present era.