Exploring The Expression Of "Light" In Chinese Painting

Influenced by traditional Chinese culture,Chinese painters do not pursue objective description of objects.Due to this concept,there are few works in the history of Chinese painting.Generally speaking,the "light" sensibility factor is not taken seriously in Chinese painting.In this paper,the author believes that the Chinese painting is a kind of image of the light sense,this kind of light sense is through the pen and ink,artistic conception,false and real factors.From Xu Beihong and Li Keran’s innovation to Zhou Jingxin and Tian Liang’s expression of subjective images,Chinese painters continuously combine their personal understanding and observe light,shadow,color and light phenomena.By using brush ink,black and white false reality and artistic conception,and integrating the artist’s expression of the lightsensitive factors,the paper expands the field of Chinese painting and constructs the idea of light-sensitive expression.This paper first discusses the concrete embodiment,theory and status of light in Chinese painting,probes into the reasons why the "light" factor is not valued in Chinese painting.Explore the feasibility of expressing light sensitivity.