Painting And Printing Plate-A Study Of Language Transformation In Woodblock Prints

Printmaking,both the elements of painting,but also a version of the language.In the study of printmakers making printmaking process,we will find that the printmaker’s drawings and printmaking between the difference,sometimes large,sometimes small.The author thinks that the difference between the sketch and the printmaking is an important link in the study of printmaking,and also an important link in the printmaking by the printmaker.In this process,printmakers add,delete,modify the picture,which is closely related to each printmaker’s need for expression and content and plate-making,thus presenting the characteristics of printmaking language.Therefore,the conversion relationship between drawing and printmaking has been running through the process of printmaking,and has become an important subject of printmaking research.This article starts with the transformation between the manuscript and the print,carding,through the change of the transformation relationship to show the difference between the ancient reproduction print and the modern creation print;Through a case study of the manuscripts and works of two printmakers,Wu Jide and Zhao Yannian,this paper expounds the relations and changes between the drawings and the printmaking,starting with the drawings and the changes of the pictures in the process of making the printmaking,the paper explores the relationship between the manuscript and the finished works in the process of printmaking to find out the formation of printmaking language.Through the author’s experience in the process of printmaking,the paper discusses the connection and transformation between the sketch and the printmaking,and discusses the understanding of the printmaking language gained by the author in this process.