| Rock paintings are one of the stone cultural heritages which are widely distributed and rich in content in China.There are significant differences between the northern and southern rock paintings because of their different natural and cultural environments.Inner Mongolia rock paintings and Guizhou rock paintings are rich in content,widely distributed and exquisite in art,with Ma rock paintings as the main position,which reflects the diversity and complexity of rock paintings in different regions of China and the important role of horses in the daily life of residents in the two places,with rich historical and cultural connotations.Inner Mongolia has a vast territory,which starts at 126 degrees east longitude and ends at 97 degrees east longitude in the west.Therefore,the most representative rock paintings in Yinshan area in central Inner Mongolia are selected for comparative analysis.Taking Yinshan Rock Paintings and Guizhou Rock Paintings as examples,this paper analyzes the formation age of Yinshan Rock Paintings and Guizhou Rock Paintings,as well as the historical and cultural information and national spirit behind them from the aspects of geographical environment,national changes and economic development.The first chapter of the paper mainly summarizes the natural and human environment in Yinshan area and Guizhou area,including the environmental changes in the process of historical development,and shows all kinds of environmental factors existing in the remains of rock paintings in the two places.In Yinshan Rock Paintings and Guizhou Rock Paintings,the image of "horse" generally appears,but its expression techniques and ways are different.In the second and third chapters,Ma Rock Paintings in Yinshan and Guizhou regions are classified from simple to complex,and the relationship between horses and different ethnic residents is explored from the single horse diagram,the opposite horse diagram,the riding diagram and the horse combination diagram,and the "typical horse image" is focused.The fourth chapter mainly discusses the cultural implication of Ma Yan’s paintings and the national spirit behind them,which not only has the common characteristics of the Chinese nation,but also has the result of the continuous interaction between different ethnic groups in the north and south in their respective geographical and cultural environments. |
