Research On Kojin Karatani’s "Tanscritique" Theory In Literature And Art

As the main representative and promoter of Japanese contemporary literary and art ideas,Kojin Karatani(1941 —)is also the three major Japanese literary and art critics with Hideo Kobayashi and Takaaki Yoshimoto.He has taught at the University of Chinese Studies,France University and Gyeonggi University,and is a visiting professor of Comparative Literature at Yale University and Columbia University,and has published nearly 40 articles.In other words,Kojin Karatani’s literary thought and critical practice in the past 30 years from the 1970s to the beginning of the new century have widely affected the domestic and even international research in the same period,and can more completely reflect the development process of Japan’s postmodern literary thought.The core concept "Transcritique" of its literary and artistic thought is not only the original theory and criticism method of Kojin Karatani himself,but also the criticism criterion that Kojin Karatani always adheres to and implements throughout his life.The prefix "Trans" in "Transcritique" contains "Transcendental" and "Transversal",the former,"Transcritique" covers the early valley tries to transcend the boundaries between disciplines with a comprehensive perspective,dig out the deep structure underlying theory behind it,and includes the later Kojin Karatani attempts to transcend various constructive concepts,The practical goal of taking the concept of integration as the ultimate goal.The "Transversal" contains the "parallax" experience presented as the result of the "other" through its own return to the world citizen and the constant movement in space.Therefore,whether in the theoretical construction of literary and art thought in the early stage or in the critical practice of literary and art thought in the late stage,"Transcritique" is the center of all its literary and art thought,and it is the focus that should be paid attention to in the research of Kojin Karatani literary and art thought.Therefore,this thesis tries to seize the clue of "Transcritique",and presents Kojin Karatani literary thought more comprehensively and systematically,combined with the theoretical connotation and criticism practice.The clue section mainly explains the reason and significance of this topic selection,and this thesis examines the current situation and deficiencies of Kojin Karatani and its ideological research in China,and analyzes the reasons of "Karatani fever" in recent years of China.We present the research ideas and methods of this thesis.The first chapter explains the life and writing situation of Kojin Karatani in more detail,analyzes the time background,development history and theoretical origin of Kojin Karatani literary and artistic thought,and analyzes the logical starting point of Kojin Karatani reflecting on social revolution and thinking about practical significance,which is the basis and premise for the study of Kojin Karatani literary and artistic thought.The second chapter is the main body of this thesis,the theoretical construction of Kojin Karatani "Transcritique" literary and artistic thought.This chapter first examines the key issues such as "parallax" and "others" in the Kojin Karatani "Transcritique" literary thought,in which the concept of "parallax" is the theoretical basis proposed by Kojin Karatani "Transcritique".In addition,we to Kojin Karatani with the help of Kant thinking to return to Marx’s "capitalism" "leapfrog movement" and the "residual value theory" "exchange style" said comprehensive thinking and elaboration,and try to Kojin Karatani and Kojin Karatani literary ideas,in the Kojin Karatani "Transcritique" thought while ensuring the system and objectivity of this study.In Chapter 3,we discuss the critical practice of Kojin Karatani "Transcritique" literary and artistic ideas.This chapter selectively focuses on the key issues of epistemology "reversal" in the origin of modern Japanese literature,the nation and aesthetics under the critical horizon of postcolonialism,and the new coalition movement against capitalism initiated by the postmodern "concept end",and gives a brief overview of the aesthetic critics who only "suspend" but not "quote" criticism under their national and aesthetic logic.In Chapter 4,we try to make a more systematic,objective and dialectical evaluation of the Kojin Karatani "Transcritique" literary and artistic thought,and by comparing with the contemporary famous literary and artistic thinkers,we can investigate the valuable factors of Kojin Karatani literary and artistic thought.At the same time,on the basis of the mutual transformation of Japanese and Chinese as far as possible,the positive influence and beneficial enlightenment of its literary and artistic thoughts on the current research of Chinese literary and artistic theory are evaluated.