The Study Of Literary Thought Of Kuo-honma

This article attempts to study the basic composing of Kuo-honma’s literature, with his New Literary Principles and Criticism and ideas of the European modern arts as the core texts. The Comparison of the Symbol of Boredom of Guliyagawa and New Literary Principles and Criticism of Kuo-honma, the two monographs which have a significant impact in China in the 1920s’, brings forth the latter one’s unneglectable influence on the transformation of the Chinese literary theory from traditional type to modern type, meanwhile expounds Japanese literary theory’s special contribution and positive meaning to its Chinese counterpart’s development during the former half of the 20th century.