Research On Emotional Expression In The Performance Of "Chinese Classical Dance

This thesis takes "Chinese classical dance" emotional expression in contemporary works as the research subject,with the personal graduation party of classical dance,the author works as the research object,combined with a number of the dancer’s experience summary,to dance emotional performance in the role of "Chinese classical dance performances,and discuss how to better express the emotions in the performance,To get rid of the dull performance of "one face with one face",this paper discusses the viewpoint that dance performance should be based on "emotion".This paper is divided into four parts.The first part conceptually expounds the importance of "Chinese classical dance" and emotional expression in dance,and analyzes the contemporary schools of "Chinese Classical dance" and the conceptual characteristics of "emotional expression in dance".The second part focuses on the emotional expression and presentation of "Chinese classical dance",which is analyzed from the two levels of movement language ontology and denotation respectively,combined with the language characteristics of the dance itself,to explore its refined emotional expression and presentation.The third part puts forward the argument that "dance sentiment" is the basis of dance performance,and discusses the occurrence and accumulation of "dance sentiment" from two aspects.It includes psychological transference,internal imitation and other emotional "transplant" methods,as well as the integration of self-thought and life image,accurate plot imagination and other emotional expression methods,to make a methodological induction of dance emotional expression.Finally,the author discusses the application of emotional expression in his personal dance practice works,puts forward the emotional training methods of eyes,expression and breath,and tries to explore the practical connotation of dance performance--"dance with heart,dance with emotion".Do "perception"--understand the connotation of the work and the image of the characters;"What moves moves"--actors themselves deal with the works in many ways and actively participate in the creation;Thus,"dance where you dance"--resonates with the characters in thoughts and emotions.