A Research On National Culture Of Local Writing In Horse Award Of Zhuang Nationality

The local writing of Horse Award of Zhuang nationality plays an important role in the history of Zhuang’s literature by constructing Zhuang literary town from a unique national perspective and southern discourse.The thesis is written from the local writing of Horse Award of Zhuang nationality,deeply explores the operation mechanism of the Zhuang nationality’s culture of the trinity of material,system and spirit,and analyzes the "wild" temperament of Zhuang literature creation and Zhuang culture.At the same time,from a diachronic perspective,the evolution of the spirit of creation and the spirit of culture of Zhuang prize-winning works is explored,revealing the transformation of Zhuang literature from obsession to outward creation,reaching deep to the logic of the relationship between geography,humanity and culture,providing some enlightenment for the study of Zhuang literature and culture.The introduction mainly discusses the reasons for choosing the topic from the establishment of the Horse Award and the rise of Zhuang literature,introduces the award standards and creation situation,and establishes the research significance of Horse Award of the Zhuang nationality;sorts out and summarizes the gains and losses of related research,and finds that the overall research on the Zhuang Horse Award-winning works is neglected;at the same time,it clarifies the basic concepts of the key words "local writing" and "national culture" in the paper,and determines the direction for the in-depth discussion below.The first chapter studies the construction of text space,character image and discourse characteristics on the local writing of Zhuang’s steed prize works,expounds the innovative,local and national writing characteristics of Zhuang literature,and reveals the rule that the "wild" temperament of Zhuang culture runs through the local writing.The second chapter studies the material culture in the local writing of Zhuang’s winning steed prize from four aspects of clothing,food,housing and transportation,revealing the cultural characteristics of Zhuang literature of "seeing me by things" and "uniting me with things" and the regional writing mode of "attachment to the ground".The third chapter deeply explores the writing characteristics of the institutional culture such as family marriage,ethnic villages,and life rituals,and demonstrates the Zhuang nationality’s cultural spirit of maintaining individuality and resisting fate on the basis of group aggregation.The fourth chapter studies the outstanding spiritual and cultural writings such as belief worship,Huashan rock paintings,and community consciousness,and analyzes the fundamental significance of the Zhuang nationality’s "wild life" regional spirit to the unique construction of Zhuang nationality literature.The conclusion part summarizes the inspiration of the national culture research in the local writing of the works of the Zhuang nationality that won the Horse Award.The conclusion part summarizes the enlightenment of the research on the national culture of the local writing in the works of the Zhuang nationality winning the Horse Award to the two-way construction of the Zhuang nationality literature and regional culture.On the one hand,from the explicit and implicit local writing characteristics,from the pursuit of local elements on the surface of the text to the self-evidence of the "wild" cultural temperament,it is the law of the modernization of Zhuang literature;on the other hand,standing in the Chinese nation’s community.From the perspective,consciously inserting the globalization of life care and civilization interaction into the writing of national culture is the creative experience of Zhuang literature from a local perspective to a global perspective.