"Meta-criticism" Of Chinese Frontier Film Theoretical Criticism In The New Era

In October 2017,the 19 th National Congress of the Communist Party of China made an important judgment that "socialism with Chinese characteristics has entered the New Era" since the 18 th National Congress.Since the New Era,Chinese film theory has found fertile ground for growth and started to appear continuously,which can almost be regarded as another period of the construction of film theory criticism after the blowout period of film theory criticism in the 1980 s.The theoretical criticism of Chinese films in this period is not only a study of the characteristics of Chinese films in this period,such as industrial appearance,creative style,aesthetic trend of thought and cultural representation,but also a mirror image of social thoughts in this period.You film scholars have made great efforts to explore China’s cultural resources and establish China’s film theoretical system.With the attitude of cultural confidence,theoretical confidence,aesthetic confidence and industry confidence,they participate in the advance of the rise of film power,and constantly promote the construction of Chinese film theoretical criticism system and discourse system.Guided by the 19 th National Congress of the Communist Party of China(CPC)"Strengthening cultural confidence and promoting the prosperity of Socialist Literature and art",Chinese film scholars consciously launched the theoretical criticism construction with "China" and "nation" as the main body.During this period,Chinese film scholars have their own construction paths,and they can appeal to the public and argue with each other.Finally,"Chinese Film School","Film Industry Aesthetics" and "Community Aesthetics" have emerged.At present,the three frontiers of Chinese film theory criticism in the new era can be said to have achieved a lot.To review at this time since the new era of this period of film theory criticism blowout build period,"meta-criticism" is done in the research,holistic review,to some extent,can make up for the lack of comprehensive research gap years theory development,summed up the effective period theory at the same time,its defects have some review of value,It will have certain reference significance to the construction and promotion of the theoretical system of Chinese film.The first chapter of this paper establishes the research value of this paper,and establishes the time and object scope of the research by analyzing the context,development situation and construction significance of Chinese film theory criticism in the new era.The main body of the following paper is divided into two parts according to the research path of "meta-criticism".The first part is the ontological "self-explanatory" study of the three frontiers of Chinese film theory criticism in the new era,including the second chapter and the third chapter.The second part is the study of the context "legitimacy" of the three frontiers of Chinese film theory criticism in the new era,including the third and fourth chapters of the dialectical relationship between the prescriptive position,open vision,generative context and the era of theoretical transformation.The rest have speculation and prospect,as the judgment and supplement of this paper.Specifically,the first chapter of this paper mainly systematically summarizes the construction and development process and current situation of Chinese local film theoretical criticism since entering the new era,and clarifies the definition of "new era" and how it becomes the temporal scope of "meta-criticism" of film theoretical criticism.On the sufficient condition that the new era has become the new context of Chinese film theory criticism,this paper gives a general overview of the development of Chinese film theory criticism since the new era.It is necessary to combine the specific context of the evolution of The Times and social development to study the development of Chinese film theory criticism since the new era,summarize its shortcomings,or look forward to its future prospect.The second chapter focuses on the prescribed position and open vision of the three frontier film theory criticism,and develops the dialectical unity study of its "national consciousness" and "global vision".In the aspect of "national consciousness",the discourse system of "Chinese nature",culture ceaseless and national image building are discussed.From the perspective of "global perspective" and "global locality",the paper attempts to explore the evolving thoughts and system dimensions of Chinese film research from various research tracks of theoretical center,frame system and terminology use.The third chapter selects "China","industry and Industry" and "mass and communication" as the phenomenal keywords in the study of Chinese film theory in the New Era,and tries to clarify the starting point and methodological characteristics of the three frontier film theory criticism,namely "Chinese Film School","Film Industry Aesthetics" and "Community Aesthetics".It holds that the current Chinese film theoretical discourse system realizes the legitimacy and validity of the theoretical system itself in the process of addressing the current Chinese film aesthetic reform and the current Chinese film practice.Fourth chapter contains open to criticism theory of the new age movie,absorb enter,like the Chinese and western ancient and modern theoretical analysis of how to deal with and how to use the resources contained in the ancient and modern theory of Chinese and western resources and developing the concept of how to choose in the face of all sorts of dialectical analysis,knocking again review and clarify the new era of film theory to criticize the way adhere to the culture and to develop,It holds that in the construction and development of theories,a literary and artistic thought community has been formed around "China" and "the New Era".The fifth chapter and the conclusion conclude the research of this paper to the summary of the three frontier theories,including the affirmation of its significance and effectiveness,the explanation of its problems and disadvantages,the prospect of its future picture,think it is aimed at creating a new theoretical perspective and academic system of "Chinese" film;It also focuses on the integration of a new idea and new standard of Chinese "film theory",but it is still in the exploratory stage.To sum up,since the New Era,the works of scholars on the construction of theoretical criticism,the special topics on theoretical criticism elucidations in various academic journals,and the explanations and debates initiated by various forums have been in full bloom and never stopped.And have no intention to be complacent,but dialogue between each other back and forth,agitation,has become a spectacular.How to advance and develop the construction of criticism into a kind of "constructive criticism" rather than general descriptive "critique" is the future career that Chinese film theorists in the New Era need to seriously consider.This paper reviews the interaction between the development of frontier film theory criticism in the New Era and The Times,and the dialectical relationship between academia and politics,based on such a constructive critical thinking.