| With the integration of Internet into every aspect of society,people’s way of life has changed a lot.We can see that more and more video games are appearing on people’s mobile phones and becoming popular among teenagers who have grown up with the Internet.With the help of the Internet,movies have made remarkable achievements step by step in developing digital technology.At the same time,in the continuous development of movies,they gradually pay attention to the growth path of combining with other arts,and begin to make bold attempts to integrate with video games.This is in line with the development of The Times and the needs of realistic survival,and is also an inevitable demonstration of the strong flexibility and plasticity of movies and video games.Since the release of several films adapted from children’s games in 2011,Chinese film and game fusion films have gone through more than ten years of artistic development,among which many excellent films have emerged,but some of them are unsatisfactory in terms of box office and public praise,and even criticized by people.However,in view of the general trend of rapid development of network digital technology,Chinese film and game fusion film will certainly occupy a place in the current and future film market.However,the aesthetics of film community may provide a way for the development of Chinese film and game fusion film from the difficult situation of staying away and not being afraid to watch when being mentioned to the good situation of being willing to accept and not being disappointed.The aesthetic theory of film community puts forward the re-modernization of film language,re-examines the relationship among film creators,film works and film audiences,and constructs a new theoretical outlook that breaks through the barriers between audiences and works.Chinese film and game fusion film connects two media,two arts,two audiences and two industries with an extremely novel film type,which shows the community connotation,meaningful form and consideration of film and audience,all of which are advocated by the aesthetics of film community.Therefore,Chinese film and game fusion film can be regarded as a positive practitioner of the aesthetics of film community.Based on the theory of film community aesthetics,this paper makes a systematic and clear analysis and research on the community aesthetics of Chinese film and game fusion films from within and outside the film text.This paper mainly discusses from four chapters: The first chapter is to sort out and integrate the Chinese and foreign ontological basis of film community aesthetics,and then summarize the methodology of film community aesthetics.At the same time,the connotation,extension and creation of Chinese film and game fusion film are explained;The second chapter explores the intrinsic theoretical quality of community aesthetics contained in the aesthetic characteristics of Chinese film and game fusion films from five aspects: theme,character image,narrative theme,narrative strategy and audio-visual language.Based on the essence of the aesthetic theory of film community,the third chapter,starting from the outside of the film,analyzes the audience positioning and audience viewing mode of such films by focusing on the audience viewing demand and psychological driving factors of Chinese film and game fusion films,and provides the data of online questionnaire for supporting arguments.Furthermore,it further discusses the empowerment of youth subculture of Chinese film and game fusion film,so as to further clarify the construction of audience community of Chinese film and game fusion film.The fourth chapter makes an overall aesthetic speculation on Chinese film and game fusion films,analyzes the shortcomings of existing works,summarizes experience and lessons,and puts forward reasonable suggestions under the theoretical care of film community aesthetics,in order to promote The creation of Chinese film and game fusion films towards a better direction. |
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