An Analysis Of The Creation Strategy Of Participatory Documentary

In the 1960s,with the development of new technologies,participatory documentaries were born.Participatory documentaries place more emphasis on the interaction between the shooter and the subject,rather than the "fly on the wall" style of shooting like direct films born at the same time.The creator does not interfere with the subject,hides behind the camera,pays attention to An objective record of events.In participatory documentaries,the creator actively participates in the development of the event,conducts interviews and interactions,and promotes the development of the event,so that the audience can feel the creator’s intervention in a specific situation,so as to achieve the impact on the documentary itself and the reality.life impactBased on the relevant review of participatory documentaries and the summary of related works,this article further explores the creative ideas of participatory documentaries,as well as the selection and application of narrative perspectives in this type of documentaries,and reflects on the problems and deficiencies in the author’s graduation work creation process.,and strive to provide some reference values for the creation and development of participatory documentaries.This article takes the graduation work "Hao Hao" as an example to explore the creative strategy of participatory documentaries from three aspects.First of all,the first part is the elaboration of the concept and characteristics of participatory documentaries,and the comparison of the similarities and differences between participatory documentaries and observational documentaries.Secondly,combined with the graduation work "Hao Hao",it briefly outlines the origin of the film’s creation,and discusses the author’s expression of linear narrative in the participatory documentary creation,as well as the influence of small incision narrative on the expression of the theme.Finally,through the reflection on the creation of participatory documentaries,the influence of interventional shooting on the authenticity of documentaries is excavated,and the importance of perspective selection in participatory documentaries and the transformation of viewpoints in the author’s works are analyzed,and then the creation process of this type of documentaries is discussed.The grasp of participation and the role of shooting perspective in participatory documentaries reflect the insufficiency of technology in creation,and summarize the importance of combining practice and theory.