Research On The "Fidelity" And "Creativity" Of Violin Concerto In B Mino

Musical performance is one of the ways in which musical works exist and a means by which performers express music to the audience.Musical performance includes violin playing,and the process by which violinists transform the score text of musical works into actual music is called playing.In the process of playing a musical work,the violinist’s creativity is inevitable,so the playing process can also be called second creation.The second creation contains"faithfulness" and "creativity",which interact and integrate with each other in the process of the performer’s second creation.Violinists should be aware of the relationship between the two properties in the second creation and bring the study of this relationship into their performance.Saint-Saens Violin Concerto No.3 in B minor is a classic work worthy of study and performance by players.It is also one of the most popular works performed in professional colleges and competitions.Paper to Saint-Saens b minor third violin concerto" the third movement as the research object,through the third movement is relatively free of the sonata form structure characteristics of the different player plays version specific analysis and comparison,based on the result of trying to find "faithfulness" and "creative" the law of development of the work,And for their own violin learning to provide theoretical help.The thesis is divided into three parts:introduction,text and conclusion.The text is divided into four chapters.The first chapter is the music analysis of the third movement of Violin Concerto No.3 in B minor and the life background of Charles Camille Saint-Saens.The second chapter is the analysis and comparison of different versions of the third movement of The Third violin Concerto in B minor.The third chapter is about the "fidelity" in different versions of the third movement of The Third Movement of The Third Violin Concerto in B Minor by Saint Saens.The author tries to find the commonness in different versions of the performance,find the faithful object of the subject through the commonness,and explore the significance of fidelity in violin performance.The fourth chapter is about the "creativity" in different versions of the third movement of The Third movement of The Third Violin Concerto in B minor by Saint Saens.The author tries to discover the individuality of different versions and explore the rationality of creation in violin performance.