Research On "Ernan Yiyin", A Collection Of Shaanxi Poems In The Qing Dynast

Liu shaoban’s Er Nan Yi Yin(《二南遗音》),as the earliest collection of local poems in shaanxi in the qing dynasty,has a pre-perceptual regional cultural consciousness.This collection contains about 832 poems by 159 poets in Guanzhong,Shaanxi province in the Qing Dynasty.Although not all the poets are from Shaanxi nationality,they have experienced living in Shaanxi,the poems present a simple and peaceful aesthetic style.At present,the academic circle has made some progress in the regional culture research of the Er Nan Yi Yin(《二南遗音》),but the collation and analysis of the poets’poems are still insufficient,and the geographical and cultural meaning of"Guanzhong",as well as the regional cultural concept of Liu Shaoban,are not deep enough.Therefore,this paper on the basis of the text in Er Nan Yi Yin(《二南遗音》),through the macro and micro analysis of the poet’s poems,explore the criteria,reason,purpose,and the editor’s concept of regional culture,pay attention to the regional cultural consciousness,and literature value and regional cultural value.The introduction part mainly discusses Er Nan Yi Yin(《二南遗音》)with the topic selection reason,significance,research current situation and research method of the general collection of Shaanxi local poetry in the Qing Dynasty.At present,the relevant research focuses on the poets of Guanzhong in Shaanxi in the Qing Dynasty and the poems of Guanzhong in Shaanxi in the Qing Dynasty,and pays little attention to the text analysis and the thematic research of the regional culture.Chapter 1 introduces the life and writings of liu shaoban,the version and writings of the Er Nan Yi Yin(《二南遗音》),Liu Shaoban spent several stages of wandering,becoming an official and resigning,all with Confucianism and literati standards.His life is a life of practicing the spirit of Confucianism and a life of adhering to rigorous scholarship.In his later years,liu shaoban,who lived in his hometown,compiled four volumes and published els,which is the biography of liu.Later,the four volumes of the governor of Shaanxi,as well as several editions during the reign of Emperor Qianlong of the Qing Dynasty and the reign of Emperor Tongzhi of the Qing Dynasty,were printed on the copy of the Liu biography of the Biography of the Second South.The republication and publication of Ernan Heritage Sound fully explain its value and significance.Chapter 2 analyzes the literature sources and methods of compiling the poets’poems.Er Nan Yi Yin(《二南遗音》)contains about 832 poems by 159 poets,collected mainly by biographies and local Chronicles,and finally by Liu Shaoban’s careful search of poets’paintings and his friends’books.In addition,liu shaoban well-read,proficient in ancient history,always value the township state literature collection,personally participate in the local Chronicles"shaanxi"sanyuan county",thus accumulated a lot of material about local poets poetry,for the Er Nan Yi Yin(《二南遗音》)of the compilation laid a good foundation,is likely to become the basic source of literature.Chapter 3 discusses the subject type and cultural implication of poems included in Er Nan Yi Yin(《二南遗音》).On the whole,liu shaoban includes many poems in the ancient poems,lyric poems,painting poems and farewell poems.In addition,it also includes some of the poetry evaluation of poems,as well as common life poems.Among them,common life poems are mainly divided into two special categories.Although Er Nan Yi Yin(《二南遗音》)is included in a wide range of subjects and diverse themes,because the included poets are in the same background of the same era and the same regional environment,their poetry creation has some same artistic characteristics to varying degrees:retro,elegant,honest and plain.At the same time,due to the regional and super-regional nature of Shaanxi culture,it also contains the sad mood after the status anomie of Shaanxi culture.Based on the regional culture of Guanzhong in Shaanxi Province,combined with the cultural thoughts of the Qing Dynasty,Liu Shaban consciously compiled the poetry collection of Shaanxi Guanzhong in the Qing Dynasty,which stimulated the development of Shaanxi poetry in the Qing Dynasty and enhanced the regional cultural influence of Guanzhong.Chapter 4 studies the selection standard and compilation purpose of Er Nan Yi Yin(《二南遗音》).In terms of the selection criteria,Liu Shaoban takes poetry as the criterion,Strive for fine quality;Take the character as a reference,Recommend benevolence and righteousness;In terms of the codification style,Liu Shaoban follows the traditional style of poetry compilation,With the poets as the entry,By class phase from;At the same time,taking the poet’s native place as a reference,Intuitively expresses its regional cultural concept;In terms of the purpose of the compilation,Liu Shaoban embodies his style as a Confucian scholar and literati responsibility,He remembered the history of Guanzhong in the past,Publicize the Confucian spirit in the integration of literature and Taoism,Highlight local talent in multiple likes;In terms of the codification purposes,Liu shaoban fully embodies the traditional concept of respecting Confucianism and reality,The truth of cherishing talent shows,Chongyang Songyi Sangzi feelings.The Er Nan Yi Yin(《二南遗音》)embodies Liu Shaoban’s academic vision and Confucian thought,showing the unique poetry and outstanding literary talent of the poets in Guanzhong,Shaanxi province in the Qing Dynasty.Chapter 5 analyzes the regional culture writing and its value of Er Nan Yi Yin(《二南遗音》).In history,the geographical meaning of"Guanzhong"has changed and is yet determined.In different contexts,"Guanzhong"is often end owed with different meanings.The word"Guanzhong"mentioned by liu shaoban in the Er Nan Yi Yin(《二南遗音》)is based on the geographical scope of Guanzhong in Shaanxi province,and contains multiple meanings of zhou culture,Confucian culture,Qin culture and Guanzhong culture.This regional culture of Guanzhong is concentrated in the poems singing Guanzhong received in the Er Nan Yi Yin(《二南遗音》).Through analyzing the poems of Guanzhong written by Shaanxi poets and non-Guanzhong poets,we can find that the content and style of their poems are basically the same,more praise or miss the cultural customs of Guanzhong,and have obvious regional cultural characteristics.Before the appearance of Er Nan Yi Yin(《二南遗音》),there were few local poems in Shaanxi in the Qing Dynasty;after the appearance of Er Nan Yi Yin(《二南遗音》),Li Yuanchun,Yan Ru’s Shannan Poems and He Ruilin appeared in Shaanxi in the Qing Dynasty.To the period of the Republic of China,Baikun’s Jing Xian Poems appeared again.Through the comparison and analysis of these four local poetry collections in Shaanxi province and the poem,we can find obvious common points in the compilation style,compilation content,arrangement method and compilation purpose.The emergence of Er Nan Yi Yin(《二南遗音》)Cultural Voice preserved the poems of many poets in Shaanxi from the early Qing Dynasty to the middle of the Qing Dynasty,and laid an important literature foundation,which promoted the compilation of poetry collections in Shaanxi in the Qing Dynasty and enhanced the regional cultural consciousness of Shaanxi in the Qing Dynasty.