Analysis Of Ju Lian's Water-Powder-Jumping Method In Boneless Flower And Bird Paintin

During the Ming and Qing dynasties,sun Long,Yun Shouping and other painters devoted themselves to exploring new schema language on the basis of inheriting tradition and absorbing foreign paintings.,in the late qing dynasty,on the basis of predecessors’ Ju Lian to they judged the yuan dynasty "bone method rhyme" painting concept as a guide,based on lingnan local,bold innovation,on the technique of painting materials and painting combines the material beauty,rich beauty,lingnan into water into powder method,make its have never bone painting traditional techniques,not only effectively promoted the bone development and innovation of Chinese paintings,It also promoted the maturity of His boneless flower and bird paintings and formed a unique style of His boneless style.The album of Flowers,Birds,Grass and Insects,which is now stored in guangdong Art Museum,is one of the important representative works of His sketches,which was made by Ju Lian during his middle age when he was enthusiastic and actively exploring creation.However,at present,the academic circles rarely carry out special research on His boneless flower and bird paintings,and most of them stay in the study of techniques and painting style.In view of this situation,this paper combined with The representative book of Flowers,Birds,Grass and Insects by Ju Lian to carry out a more detailed research on the method of water and powder collision,aiming at a more systematic and comprehensive understanding of the development and application of this technique.This paper is divided into four parts: first,from the perspective of local development and foreign influence,study the historical origin of boneless flower and bird painting bumping water and powder;Second,combined with the collision of water and powder method,the book of Flowers,Birds,Grass and Insects is deeply analyzed from the perspective of painting subject matter,water,color and form,and excavates the concave and convex light and shade effect and the local feeling conveyed by it.Thirdly,starting with the artistic connotation of The method of water and powder,the author analyzes the influence of the painting concept of "Song people’s ancient law yuan People’s rhyme" on this technique,and understands its innovation in "water" and "powder" and the taste of "intentional" and "unintentional".Fourth,from water into powder method influence on later generations,surrounding the modern lingnan school,represented by Gao Jianfu Wu Hufan,Chen Zhifo and contemporary Lin Rexi,Gu Guangjian,discusses the techniques in the later the painter’s inheritance and innovation,and expounds the development and the significance of this method have no bone in modern flowers and birds painting of the painting creation process of the enlightenment.