Research On Su Shi's Life Aesthetic Practic

Su Shi was an outstanding writer and thinker in the Northern Song Dynasty in my country,a typical representative of feudal scholars,and a master of the aesthetic practice of Chinese life.His aesthetic pursuit of life had a huge impact on Chinese traditional culture and life aesthetics.Studying Su Shi’s life aesthetic practice,systematically sorting out the aesthetic factors contained in his cultural and artistic activities and daily life practice,can use this vivid case to further enrich the current research perspective and content of life aesthetics.To provide contemporary people with an alternative plan to return to the true nature of life and swim in their spiritual homeland.The study of Su Shi’s life will help to improve the aesthetic value of contemporary people’s life and the status of the main body of life.The thesis takes the aesthetics of life as the theoretical basis,the content of Su Shi’s poetry articles as the basis,and Su Shi’s literary and artistic creation and life practice as the carrier,outlining the practical content and bearing method of Su Shi’s life aesthetics.The whole text is divided into three chapters,the first chapter focuses on combing the development of Chinese and Western life aesthetics,arguing that Western life aesthetics is a combination of life and aesthetics,with the characteristics of popularity,integrity,popularity,and transcendence;the main issue in the study of Chinese life aesthetics is the beauty in people’s daily lives,further establishing the core position of people,and pointing out that the leisure aesthetic system of "ontology-work-transcendence" is conducive to the construction of Su Shi’s leisure aesthetics.The theoretical system of Chinese and Western life aesthetics together constitutes the theoretical basis for the analysis of Su Shi’s aesthetics and Su Shi’s life practice.The second chapter discusses the formation of Su Shi’s aesthetic thought on life and its aesthetic connotation of "plain and natural" under the influence of the overall political and economic background and socio-cultural psychology of the Northern Song Dynasty,clarifies the humanistic value of Su Shi’s life aesthetics,and divides Su Shi’s leisure aesthetics into three levels of "doing one’s own thing","I am suitable for my own leisure" and "transcendent things" according to the framework of leisure aesthetics.The third chapter is a specific analysis of the content of Su Shi’s aesthetic practice in life,from the three aspects of objects and events and Zen,analyzing the life interest contained in his life calligraphy and paintings,playing with utensils,praising flowers and trees,visiting places,and tasting poems;the aesthetic taste contained in the process of Yaji’s intercourse,eating,tea art,tasting and drinking;and the Zen Zen interest contained in philosophy and aesthetic thought.The conclusion takes the beauty of life and the beautiful life as the theme,summarizes the unique value of Su Shi’s life aesthetic practice,and the spiritual power contained in it,extending to the contemporary value of life aesthetics and the guiding role of life practice.