A Study On Kawabata Yasunari’s Aesthetics Of "Object Sorrow"

This article mainly discusses Kawabata Yasunari’s "Material Sorrow" aesthetics."Material Sorrow" is an important theme of Kawabata Yasunari’s literature as well as an important theme of Japanese aesthetics.It occupies an important position in the history of aesthetics.significant.By studying Kawabata Yasunari’s "Material Sorrow",we can deeply and quickly cut into the spiritual core of his works,and we can also show Kawabata Yasunari’s spiritual tendency and understanding of the world through "Material Sorrow".The article is mainly divided into four parts.The first chapter is the introduction,mainly expounds the origin of the problem and the innovation and characteristics of the paper,and then sorts out the research status of kawabata Yasunari’s aesthetics of "material sorrow" at home and abroad.The second part mainly introduces the connotation of "Wu Ai",several factors of the formation of "Wu Ai" aesthetics,and the development origin of "Wu Ai" aesthetics.To a certain extent,"material sorrow" is the transcendence of mental pain.The third part mainly introduces the specific presentation of the aesthetics of "Sorrow of Things" in.Yasunari Kawabata’s works.The "Sorrow of Things" in his works is mainly embodied by three parts: the "Sorrow of things" of life and fate,the "Sorrow of things" that blends illusory scenes,and the poignant "Sorrow of things" of death.The "Material Sorrow" of life and destiny is based on the problem consciousness of the conflict between the human heart and human fee lings.Through the observation of human nature,it expresses the grief of love,the grief of childhood,and the grief of life is integrated into several aspects of the novel.It embodies the feeling of nothingness in life;the illusory "Sorrow of Things",which blends scenes,mainly presents the aspects of writing with personal feelings,the blending of color and emptiness with the scene,the blending of reincarnation and the scene,and the blending of the beauty of nature with the scene.The "Wu Sorrow" of the unity of the heart and the material;the poignant "Wu Sorrow" of death,mainly showing the style of beauty and sadness,love and death,family affection and death,mainly showing the relationship between death and "Wu Sorrow".relation.The fourth part mainly analyzes the aesthetics of Yasunari Kawabata’s "Sorrow of Things".First of all,Kawabata Yasunari’s "Wooai" aesthetics is the inheritance and development of Zen thought and animism,and the integration and absorption of Zen thought and animism is a feature of his "Woosai" aesthetics;secondly,This paper analyzes the innovation and breakthrough of "Wu Sorrow" to the traditional aesthetics,and in adhering to the main line of transcending death,it achieves a breakthrough in the traditional aesthetic interest and achieves the realm of aestheticism and sentimentality.Kawabata Yasunari went out of tradition and incorporated a new methodology,which made his aesthetics of "things sorrow" have a unique form of "things sorrow".Kawabata Yasunari’s "things sorrow" aesthetics is a new embodiment of Japan’s hidden spiritual demands.