| What this paper studies is the transformation of Bagua palm’s "walking and turning" from traditional martial arts to dance work "Xiangyang".The purpose of this paper is to explore the law of transformation from "walking and turning" to modern dance.For this reason,the main research methods adopted in this paper are literature research method,field style collection method,video observation method and practical creation method.Under the guidance of the artistic beauty of Chinese traditional martial arts,this paper transforms "walking" in three aspects: one is the transformation of body movement characteristics of "pendulum,buckle" and "twisting",the second is the transformation of dance scheduling of walking in circles and circles,and the third is the transformation of "pictographic" form.Thus it reveals the general law of the transformation of Bagua palm "walking and turning" from traditional martial arts to solo dance "Xiangyang",which provides more possibilities for dance creation.This paper is divided into five parts,the first part is the introduction;the second part is the summary of the works of the solo dance "Xiangyang";the third part is the transformation of the traditional martial arts eight diagrams palm "walking turn" elements in the solo dance "Xiangyang";the fourth part is the transformation value of the traditional martial arts eight diagrams palm "walking turn" elements in the solo dance "Xiangyang";the fifth part is the conclusion.The significance of this study is to try the possibility of metaphysical transformation between Chinese traditional martial arts and western modern dance.Dance "Xiangyang" is deeply rooted in traditional martial arts,and at the same time draws lessons from and absorbs modern dance techniques to promote the creation of "martial arts".The author hopes that through the attempt of this dance creation,we can understand the traditional martial arts from various angles and carry forward it effectively;find out the valuable elements of dance and develop them;and provide more possibilities for the integration of "martial arts". |