| The word "Meixingzhe" is from the title of one of Huang Biyun's books,where "mei" can be understood as "charming" when used as an adjective and can be understood as “bewitch” when used as a verb,both of which have the comprehension of flexibility and seductiveness.Applying the word "mei" to describing Huang Biyun's writing attitude is also suitable,for the nature of the “solo dance” appearing on her writing style makes the writer herself and her works full of mystery,thus showing more seductiveness.And "xingzhe(can be translated as walker)" represents unruliness,strong will and freedom,which are not only associated with the creative personality of Huang Biyun,but also in writing activities reflect her quality that a writer actively and honestly presents herself and that she tries and practices in writing with the appearance of a “xingzhe”.After entering the literary world of Hong Kong with the grace of the traveler,Huang Biyun stands out among the many Hong Kong female writers because of her independent character of being a writer and her unique writing choices.However,her books sell not very well,and it seems to happen to her for long time.Her book has often won awards in Hong Kong and Taiwan,but the sales have always hovered around the pass of 2,000,like a fate that has to do with Huang's "solo-dance" style of writing.Huang Biyun has a low-profile and alienated writing attitude.Under the marketized environment of writing,with a silent writing attitude,not for the pursuit of market sales and personal awareness,she keeps sober and rational cognition to writing utilitarian.She insist on not reprinting her works,copyright is not granted to the mainland,and she often appears in the resting or blank period out of the literature field.The writing attitude not only points to the writer's writing temperament and writing position,but also is materialized in the works,affecting the creation and content of the works.Huang Biyun keeps on reforming the writing art and philosophy,and has her own innovative writing proposition and mode.She tries to practice andget close to the writing view of "writing fewer as far as possible",with which she faces and breaks through the writing predicament,making writing return to a small state.At the same time,with many years of experience of dancing,she has incorporated the dance experience into her literary creation,and between "dance" and "word",the two language systems get connected,thus creating a new possibility of cross-media writing.As a writer and dancer,she has also organized reading theaters on stories for many times,disclosing the intention of the novels and in the form of "solo dance" in the form of "solo dance" on the stage and in the form of body.The attitude of "solo dance" does not mean that Huang Biyun acts a seemingly high-hearted writer overlooking others,and it also does not mean that writing is a writer's closed monologue,but it means that,with the heart of the pure silence,a writer shows a “tiny posture” to explore the answers of life and writing.Therefore,taking the "writing attitude" as the breakthrough point,this paper enters the writing world of Huang Biyun,and with the writer herself and her works as the research objects,three representative writing attitudes of her are selected.On the basis of theoretical analysis and intensive reading of the texts,the paper has discussions in details from three aspects of the "attitude of ‘monologue' in public clamor"," ‘tiny writing' attitude ",and "the dialogue of art attitude of ‘dance' and ‘writing'".The author attempts to explore the "solo-dance" characteristics displayed on Huang's writing style from the perspective of literary writing,in order to more fully present Huang Biyun's creation features,establish the artistic value of Huang Biyun's works,and provoke the reflection and enlightenment of literary writing resulted from her writing attitude. |
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