1930s "The Hurricane Of The Time": Lianhua Song And Dance Class And The Modern Transformation Of Chinese Movies

In the continuing upsurge of "Reconstruction of film history",the history research of Chinese film has been improved gradually,in the oretical, systematic and innovation and other aspects. Then with the historical truth and expose constantly being excavated, the studies of early Chinese film history have been deep into the extension from the macro to unraveling the history of proposition specific microscopic research. How to properly use historical data to further seize the historic text of the gap, is particularly important for researchers is film history. As we all know, the early Chinese film history research in the past, especially for Chinese cinema of the 1930 s, basically in the continuation of the left-wing cultural movement in the main line of research ideas. which largely ignored the development of Chinese film unity and integrity, and also cover the cultural and spiritual blinded early Chinese movies. So in the academic vision of "reconstruction of film history", film history researchers need to complete the restoration and rehabilitation of historic, reconstruction the lifeblood of culture constitute, in order to make up for past lack of historical research.The main object of this study is the 1930 Chinese film, "Lianhua dance class" which is dance group as a starting point, to study and research cultural dimensions through it’s historical. Thus to discuss the cultural vitality and spiritual core of 1930 s Chinese film in the phases of the modernization. Perhaps in the long history of early Chinese film history, so the an entry point is too small, but can not deny that, as a cultural and spiritual texture vibrant arts community, is entirely can be seen as an early Chinese film culture is a pattern of delicate microcosm Therefore this study both value is also meaningful. For the study of Lianhua dance classe and Chinese Film 1930 s, mainly related to the three aspects of the problem, which is the production of film talent, there are beginning period of sound film, as well as the relationship between China Film and social culture. In other words, this paper is the refraction to the culture of the spirit in the 1930 s Chinese film History. Under the combined action of the western modern culture and the "May Fourth" New Culture Movement, modern and modern temperament is self-evident. Chinese film has rapidly grown in such a "Hurricane" atmosphere, while Lianhua dance classe are also resulting. That is, in order to meet the arrival of sound film, but also to meet the development needs of the modern city, So for the thirties, early Chinese film development and modern urban culture are inextricably linked evidently.This article also needed further elaborate the content argument.The full text is divided into four chapters, with Lianhua dance classe as a starting point, and multi-angle divergence and clues.To explore dance star, sound film and urban culture of the three topics. Three subjects seemingly are not in the same Context, but always through the 1930 s film culture field, not only in the role and influence each other, and can pull and push each other. The paper is to complete the 1930 film for spiritual and cultural exposition and answers,and to reflect them relationship whthin chapters.The first chapter is " Transition demands of the art groups: from Mingyue league to Lianhua dance class ". This chapter is mainly elaborate around the formation of Lianhua class. The second chapter is " Cultural vitality and rules : the production and type of modern stars ". This chapter is to discuss the type and production mechanisms of the star which is the transition from dance star to movie star. The third chapter is: " the primary of the listen aesthetics: Lianhua dance calss and sound film ". The research object of this chapter is what is China film when the sound of the film has just arrived. The fourth chapter is "The age of the hurricane.: mixture and mutation of Eastern and Western cultural tradition". This chapter is to integrate aspects of stars, films and other audio to film culture, and the whole city in the culture field, from the aspect expand stereoscopic observation and discussion dimensions. In the epilogu is "The gold 30’s:modern transformation of Chinese film in the proposition of reconstructing the history of film ". To make a proper and accurate summary for the 1930 s in the history of film history within the framework.Therefore, when we reproduce and restore the trajectory of Lianhua dance class, can we rewrite the cultural vitality and spiritual ideas in the early 1930 s Chinese film, which is worth constantly thinking and to stimulate discussion. As an attempt to explore and a cultural studies, this paper hopes to break the traditional concept of theory and academic thinking and open the way to the scene of the thirties cultural path, as for the study of early Chinese film history make a "reconstruction" of value contribution.