A Comparative Study Of “Master Xuanwei Burial Tile” “Cao Taoist Tablet”,Shangjing Of Jin Dynasty

“The burial tile of Xuan-wei great master of Sakyamuni temple of Shangjing city,Jin dynasty” and “Cao Taoist tablet” is the few characters of cultural relics ever found in Acheng County,Heilongjiang Province.It is of great significance to study the religious history of Jinyuan mainland,it is the most direct material data to reflect calligraphy style of the middle of Jin dynaty.The analysis and arrangement of the inscriptions of the Jin Dynasty is an insurmountable part of the study of the Jin Dynasty calligraphy.the evolution of calligraphy style,chirography and script can be found clearly in the epitaph calligraphy evolution.Through comparative study of “Master Xuanwei burial tile” and “Cao Taoist tablet”,further analysis of the middle Jin dynasty calligraphy development,calligraphy communication and fusion between the Jin and Song dynaties,the innovation of the calligraphy,the formation of the calligraphy and calligraphy aesthetic and a series of evolution process,which has played a positive role in promoting the origin of the script of Jin dynasty and development of Heilongjiang calligraphy heritage.The first chapter of this paper mainly expounds the research purpose and significance of the topic,analyzes the development status of the research topic at home and abroad,and puts forward the innovation points of the research.The second chapter mainly summarizes the commonness and difference characteristics of “Cao Taoist Tablet” and“Master Xuanwei burial tile”,and compares the factors such as the time of the two,the characters,the shape of the tablet and the identity of the tomb owner.The third chapter mainly discusses and analyzes the differences in calligraphy styles from the internal elements of calligraphy,such as the writing form,composition,writing characteristics and implication,comparing with the works of the previous regular script,so as to get the origin of the two.The fourth chapter mainly discusses the reasons for the differences and differences between the two calligraphy styles,and analyzes the different tendency of the two calligraphy styles,including the development of Wang Tingyun,Zhao Bingwen,Yuan Haowen,from the middle to the middle and late period of Jin dynasty.From the perspective of cultural development,this paper analyzes the influence of the theory of calligraphers in the calligraphy of stele.In the fifth chapter,we explain the communication and integration of calligraphy and artistic culture in the Jin Dynasty,and analyze the mutual influence and reference relationship between calligraphy and calligraphy learning between Jin and Song Dynasty.This paper tries to stand on the shoulders of predecessors,from the analysis of the two inscription calligraphy,combined with religion,calligrapher,calligraphy view,regional culture,Jin and Song cultural exchange and other influential elements,“Master Xuanwei burial tile” and “Cao Taoist tablet” for a more comprehensive and comprehensive research.